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Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

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Acknowledgements

June 16, 2007 by Margret Short

Of all the debts of gratitude I owe to those who helped with this project, now book/catalog and exhibit, is the one to my husband, Dave. Without his constant help and support, it would not have happened. He went on errands, made deliveries, cooked dinners, designed and printed promotional materials, folded envelopes, and completed countless other chores necessary for a project such as this. All of his efforts freed time for me to do research and paint.

My sister, Nancy, was invaluable over the many months and gained skills of paint grinding, gold leaf techniques, color chart making, and was always willing to do and learn anything that needed to be done. Dave Reid, a good friend and computer whiz, designed and edited the book/catalog with as much skill as any professional. With amazing facility, he took my words, rearranged them to fit just the perfect spot.

Alyson Stanfield coached, coaxed, and guided me though the blog process. She took my idea and helped me put it into motion; and stayed with me all the way to completion. With her museum and marketing background she could determine, from the outside looking in, the potential of my project and taught me how to bring it to fruition.

For many years, Sheri Huffman has been my web site design expert. She willingly took on my new project of blog site design, and completely took responsibility for all the additions, changes, modifications, and mailings with effortless skill.

I would also like to thank the Dayton Art Institute for their gracious invitation to me to show my chiaroscuro paintings during the Rembrandt Exhibit. The Lawrence Gallery’s enthusiastic agreement to host and promote my collection will always be appreciated. Thank you also, to Ben Reed, photographer, The Namemakers, and Katayama Frames. To Natural Pigments, The Conservation Department at the National Gallery of Art, Michael Price,  and Dr. Georg Kremer thank you for sharing your knowledge of historic pigments.

And, a very special thank you to all the faithful readers of my blog, especially those who posted amazing comments of support. You made it a worthwhile project.

All Rembrandt and the Golden Age of Dutch Art exhibit catalog images by special permission from the Rijksmuseum, Amsterdam, The Netherlands.

Chiaroscuro Painting

Oil painting with the chiaroscuro technique illuminates the focus area with a strong light. All other areas are painted with less detail, lower values, and intensity of color giving a mysterious appearance. By putting one or two objects in the important focus area, a strong but simple composition will emerge. Combining these oil painting techniques with a selection of superior natural pigments and oil paints result in the beautiful and evocative quality known as Chiaroscuro Painting.

Reader Interactions

Comments

  1. Alyson B. Stanfield says

    June 17, 2007 at 8:43 am

    Aw, shucks. ‘Twas nothin’. It’s been so much fun to watch this happen. I’m only sorry I wasn’t able to see all of the work together. Do you have good gallery shots of the show? What about video?

  2. Cindy Revell says

    September 22, 2007 at 8:32 am

    Margret,
    How I hated to miss this exciting exhibition. I had hoped to attend but I was working and couldn’t make it. Your paintings are stunning and this project was amazingly ambitious. I did see the paintings online but they must have been simply spectacular in real life. I can’t wait to see what you come up with next.
    Cindy

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