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Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

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    • Backwards and in Heels, Part II
    • Backwards and In Heels, Part 1
    • Quintessential Blue
    • Iso-LACE-tion: A Thirty Day Painting Project
    • Indigenous Naturals Project
    • Lessons from the Spider Woman
    • Girl Jazz Singers
    • Lessons from the Pharaoh’s Tomb, Part 1
    • Lessons from the Pharaoh’s Tomb, Part 2
    • Lessons from the Low Countries
    • Greek Pigment Project
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Bright Oregon
Bright Oregon

14×21 Inches

Oil on Linen

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Bandurria Modello
Bandurria Modello

6×6 Inches

Oil on Copper

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Obsession Modello
Obsession Modello

6×6 Inches

Oil on Panel

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Join Margret while she explores imagery and pigments used since 3500 BC!

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Margret E. Short, Oil Painter

Masterful use of natural pigments along with a passion for oil painting techniques of the past have made Margret one of the most prestigious oil painting artists of today. Her magical canvases are sought by collectors and museums alike and she is the recipient of four coveted Salmagundi Club Awards, the Grumbacher Gold Medallion, and many other national honors. Margret specializes in still life and floral oil paintings and her work is exhibited throughout the United States, England, Australia and Russia.

Read more about Margret

News and Honors!

Berthe Morisot
(by Eduard Manet)
1841-1895
Melophone Modello,
6×8 inches, Oil on Panel
© Margret E. Short, OPA, AWAM

And 9 Additional Female Artists

NEW OIL PAINTING LESSONS PROJECT – PART II

Backwards and in High Heels, Part II: Lessons from Fred and Ginger, More Stories of Forgotten Women Artists of the Early and Current Years of Art

Read all about it!
See the gallery!

Sophie Anderson
1823-1903
Waltzing Modelli 6×8, Oil on Panel
© Margret E. Short, OPA, AWAM

And 6 Additional Female Artists

OIL PAINTING LESSONS PROJECT!

Backwards and in High Heels: Lessons from Stories about Nearly Unknown Gifted Women Artists of the Early and Current Years of Oil Painting

Read all about it!
See the gallery!

“I purchased last week at Bronze Coast Gallery your “Chiaranzana Modello.” I love it, and I am so pleased to have a copy of the painting you used for the colors (“Portia Wounding Herself in the Thigh“) to study how you distributed the colors similarly throughout a painting nothing like the original. I hung it on a wall with a beautifully framed small enamel piece I purchased in Limoges in 1962, and they look terrific together. I have the photo of the Sirani painting on a chair below it, so I and guests can hold it up to see this unusual feature. Photos of the two have already been inserted into a “Lyle’s Year in Review” letter that I will send out next December in my Happy New Year cards. I am a very happy guy! THANK YOU!”

Lyle Tucker
Private Collector

Variations Modello
Variations Modello
8×6 inches, Oil on Panel
Martin Hannon Memorial Award
115th Salmagundi Club
Thumb Box Exhibit 2023
Serendipity Modello
8×6 inches, Oil on Panel

Accepted for Exhibition at the Salmagundi Club
115th Annual Thumb-box
Exhibition and Sale

Skylight Gallery, 47 Fifth Avenue, NY
December 11 – January 5

Visit the Salmagundi Club Website

Mystical Modello
8×6 inches, Oil on Panel

Quintessential Blue: The Legendary Hypnotic Reputation of the Undeniably Favored Color of Almost Everyone: Sleeping Beauty is Not Just a Fairytale

I launched yet another pigment project using both synthetic and natural blue as a focal point in each new painting. This is in preparation for the Spring Unveiling at the Bronze Coast Gallery in Cannon Beach, Oregon where the entire series was revealed at the reception on May 6, 2023.

Read more about the project!

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Deruta Delivery
30×30 inches, Oil on Linen

American Artists Professional League Members Exhibit – First Place Winner!

Associate Members Online Exhibit

Read Margret’s Blog!

“With wonderment, Margret Short has embraced the knowledge of ancient paints and surfaces. She shares her gifts with generosity, when many artists would prefer to hold their secrets tight. Her enthusiasm when speaking of the minerals, gemstones and earth pigments, she grinds for paint and the metal surfaces she paints on transports the audience back in time. Her mastery of the medium and her beautiful “chiaroscuro” paintings have been recognized all over the world and will be a treasure to future generations.”

Diane Kruger
Owner, Signature D Art Cons

Latest from the Blog

The Final Reveal

Margret Short
October 12, 2025

Dancing Backwards in High Heels More Lessons from Fred and Ginger Part ll Yesterday’s opening reception was lovely. The entire staff was in attendance, Joe, Krissy, Lynette, and Marilyn too! The guests enjoyed locally made salted chocolate truffles and lemonade throughout the afternoon. So now, as promised, posted are all ten finished paintings in the…

Continue Reading The Final Reveal

Dancing Backwards in High Heels to the Balalaika with Marianne Von Werefkin

Margret Short
October 10, 2025

I chose the artist, Marianne Von Werefkin, as my final series post for the simple fact of her country of origin, Russia. It is a place very mysterious to us here but nonetheless has immense historical intrigue. Dave and I had the great fortune to travel there in 1985 when Glasnost was just beginning, and…

Continue Reading Dancing Backwards in High Heels to the Balalaika with Marianne Von Werefkin

More Lessons from Fred and Ginger Part ll with Sophie Fremiet Rude

Margret Short
October 9, 2025

Looking back over the months of research for both Dancing Backwards in High Heels Parts One and Two, a distinct vocabulary ideology repeatedly pops up. Words and phrases like artistic family, parental encouragement, financial hardship, financial independence, prevail, obstacles, and perseverance among others. There is a common thread running through not only the lives of…

Continue Reading More Lessons from Fred and Ginger Part ll with Sophie Fremiet Rude

“Margret Short’s still lifes radiate light with the wonderful color and drama of an American artist so skilled in the European tradition…”

Thomas Augustine
Stepping Out, Art Buyers Magazine

Projects / Lessons in Natural Pigments

Backwards and in Heels, Part 1

Quintessential Blue

Iso-LACE-tion

Indigenous Naturals

Lessons from the Spider Woman

Girl Jazz Singers

Greek Pigment Project

Lessons from the Pharaoh’s Tomb, Part I

Lessons from the Pharaoh’s Tomb, Part II

Lessons from the Low Countries

“I sometimes think it’s every bit as important to let you know when people are moved by what you do…and today was one of those days. I spent awhile with a nice woman who has had a tough couple of years, and as she tried to explain to me how incredible she found your work to be, and how beautiful, she began to tear up, and as she wiped her eyes, she laughed at herself for crying over art. It was delightful. Thank you, for all that you do.”

Melisa
Bronze Coast Gallery

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Join Margret while she explores imagery and pigments used since 3500 BC!

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Recent Blogs

Dancing Backwards Part ll with the Iconic Artemisia Gentileschi

Dancing Backwards in High Heels Part ll, More Lessons with Fred and Ginger and Judith Leyster in Haarlem

Dancing Backwards with Elisabeth Vigee LeBrun: Painter to the Stars and Royalty

Dancing Backwards in High Heels Part Two in Portugal with Josefa de Obidos

Dancing Backwards in High Heels Part Two; Cliff Notes Version of Color Sleuthing

[More Blog Posts]

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