• Skip to primary navigation
  • Skip to main content
  • Skip to footer
Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

  • Home
  • About
    • Margret E Short Bio
    • Resumé
    • Artist’s Statement
    • Artist Resources
    • The Lessons Series
    • Oregon Honor
  • Commission
  • Prints
  • Events
  • Galleries
  • Projects
    • Backwards and in Heels, Part II
    • Backwards and In Heels, Part 1
    • Quintessential Blue
    • Iso-LACE-tion: A Thirty Day Painting Project
    • Indigenous Naturals Project
    • Lessons from the Spider Woman
    • Girl Jazz Singers
    • Lessons from the Pharaoh’s Tomb, Part 1
    • Lessons from the Pharaoh’s Tomb, Part 2
    • Lessons from the Low Countries
    • Greek Pigment Project
  • Contact
  • Blog

Arsenic in the Stew

August 15, 2009 by Margret Short

orpimentorpiment-2

 

 

 

 

Orpiment, shown above in its natural form and also pigment form, was widely used in Egypt during and after the 18th dynasty, about 1500 BC. During this period the very progressive and successful female pharaoh, Hatshepsut, was in power. It is thought that she initiated trade with other countries and the use of orpiment began because of her. Because this canary yellow pigment does not occur naturally in Egypt, it most likely was imported from Asia Minor where it is found.

For many centuries this bright yellow pigment was ground and used in painting and can still be found today. There are many problems to be considered if using this color however. This pigment contains arsenic and is extremely toxic. In addition, it does not combine well with lead or copper based pigments such as azurite and Egyptian blue. It went completely out of favor to artists in the 19th century. Modern day artists have substituted orpiment with the cadmium yellows. I have chosen not to use orpiment in my Egyptian project..

Tagged With: azurite, cadmium yellow, Egypt, Egyptian blue, Hatshepsut, orpiment, pigments

Chiaroscuro Painting

Oil painting with the chiaroscuro technique illuminates the focus area with a strong light. All other areas are painted with less detail, lower values, and intensity of color giving a mysterious appearance. By putting one or two objects in the important focus area, a strong but simple composition will emerge. Combining these oil painting techniques with a selection of superior natural pigments and oil paints result in the beautiful and evocative quality known as Chiaroscuro Painting.

Footer

Sign up for Margret’s Newsletter

Join Margret while she explores imagery and pigments used since 3500 BC!

Email Address:

Recent Blogs

Dancing Backwards Part ll with the Iconic Artemisia Gentileschi

Dancing Backwards in High Heels Part ll, More Lessons with Fred and Ginger and Judith Leyster in Haarlem

Dancing Backwards with Elisabeth Vigee LeBrun: Painter to the Stars and Royalty

Dancing Backwards in High Heels Part Two in Portugal with Josefa de Obidos

Dancing Backwards in High Heels Part Two; Cliff Notes Version of Color Sleuthing

[More Blog Posts]

  • Instagram
  • LinkedIn
  • Pinterest
  • RSS

Looking for Something Special?

© 2006 - © 2026 Margret E Short, all rights reserved