Petrignano La Sera 15x17 Oil on Linen on Gold Leaf Margret E. Short, Copyright 2006 SOLD The above image is the finished piece done on the gold leafed linen canvas in November of 2006. Penelope's Web Margret E. Short, Copyright 2008 SOLD This piece called, Penelope's Web, was also painted on … [Read more...] about Petrignano La Sera
All That Glitters is Gold Leaf
A couple of weeks ago a regular reader commented she would like to have more information about the various supports on which oil painting can be done. Pictured here are supplies needed for painting on gold leaf which is a splendid ground to work on. Most common is gessoed wood panels for leafing, but I experimented with canvas with great success. A … [Read more...] about All That Glitters is Gold Leaf
Earth and Alchemy
Earth and Alchemy 24x30 Oil on Linen Margret E. Short, copyright 2008 … [Read more...] about Earth and Alchemy
Dragons and Elephants
Without going too deeply into the scientific technicalities of cinnabar/vermilion properties, the differences between the two pigments are: cinnabar is created by the combination of mercury and sulfur through a natural process and found in mines in many locations, and vermilion is made by combining mercury and sulfur in very hot temperatures … [Read more...] about Dragons and Elephants
Comparisons
top left: flake white + vermilion Robert Doak (tube) top right: cinnabar Monte Amiata Italy Sinopia + flake white (dry pigment with linseed) bottom left: flake white + vermilion Rublev Natural Pigments (dry pigment with linseed) bottom right: cinnabar Rublev Natural Pigments + flake … [Read more...] about Comparisons
Monks Seeing Red
Very early manuscripts document both the manufacture and use of vermilion. Some called this indispensable color the prince of reds which was more brilliant than the natural cinnabar. Theophilus (Roger of Helmarshausen)the Benedictine Monk, described the alchemical synthesis in his technical handbook De diversis artibus (On Divers Arts … [Read more...] about Monks Seeing Red