Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

Oil Paint, Brushes, Substrate and Frames

The type of paint used in oil painting is as important as the type of brush and the substrate. Paint can be historical or modern, surface is a flexible canvas, a rigid sheet of copper, or panels prepared with gold leaf or silver leaf. All are beautiful and interesting in their own way. The choice of frame is also critically important and many companies around the globe manufacture frames specifically for oil paintings with a deep rabbit to fit the depth of the canvas.

Getting Down to Specifics: Part Two

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This commission piece was a delight to paint, and each day a pleasure, not work at all. As the painting progressed, I found it hard to stop at the end of each painting session. Often, I took photos of the transformations and sent them along to the clients. Because of the marvels of the iPhone camera, it was easy to document day to day progress and … [Read more...] about Getting Down to Specifics: Part Two

Getting Down to Specifics: What’s in Your Mind’s Eye?

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Part One One of the most enjoyable projects in my painting life is working directly with collectors planning a commission piece, and this was no exception and loads of fun. Several months ago, a couple from nearby Washington State contacted me inquiring about a very personal painting for their collection. They wished to include a few heirloom … [Read more...] about Getting Down to Specifics: What’s in Your Mind’s Eye?

The Final Home Stretch: Quintessential Blue

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Quintessential Blue Pigment Project has been great fun for a pigment nerd like me. For this series, I used some unusual colors on my palette with unexpected surprises. One is the cobalt turquoise and the other manganese blue that both are now my all-time favs. Though neither are historical colors, I know I will continue to explore making and using … [Read more...] about The Final Home Stretch: Quintessential Blue

One Stitch at a Time

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Making stitches and threads with paint has become a daily endeavor. The newest Iso-LACE-tion piece is finished and on the drying rack. In my studio, finished paintings go on a shelf to dry by means of low heat from a tungsten light bulb which accelerates the drying time. Although when you think about it, there is really no hurry these days. … [Read more...] about One Stitch at a Time

Camouflaged – The Final Unveiling

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Camouflage Pigments Like You've Never Seen Before As promised, the final piece in the Indigenous Naturals Pigment Project, is revealed: Camouflage Modello, Oil on Linen 6x8. The previously-mentioned twist is disclosed and oh my - is it an interesting twist! Never in my wildest dreams did I ever think that researching historical pigments would have … [Read more...] about Camouflaged – The Final Unveiling