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Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

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Historical Pigments

From the Vizier’s Studio

January 27, 2011 by Margret Short

detail of oil painting

This detail of one of the finished Part ll Project paintings shows how the vizier's paintbox might have looked in his studio. The colors in the box, red iron oxide, malachite, yellow, and black were all used in my painting just has he most likely would have used. Writings below the box are on papyrus. … [Read more...] about From the Vizier’s Studio

Tagged With: black, malachite, papyrus, pigments, red iron oxide

The Vizier’s Paints

December 31, 2010 by Margret Short

photograph of old watercolor paint pallet

Paint Box of Vizier Amenemope   Egypt, New Kingdom, Dynasty 18 (1540-1296 BC), Reign of Amenhotep II, c. 1427-1401 BC. Boxwood with inscription inlaid in Egyptian blue, 3.6 x 2.2 x 21.0 cm. © The Cleveland Museum of Art Gift of the John Huntington Art and Polytechnic Trust 1914.680 Image Courtesy of Cleveland Museum of Art. This … [Read more...] about The Vizier’s Paints

Tagged With: Amenemope, Amenhotep ll, carbon black, Egyptian blue frit, orpiment, paint box, red iron oxide, vizier, yellow ochre

When I Grow Up, I Want to Be an Art Forger

December 31, 2010 by Margret Short

ultramarine blue paint pigment

Now I do not aspire to go underground or "non-legit" with my painting techniques, but art forgery is quite a fascinating topic. One of the best ploys Eric Hebborn suggests is to purchase an artistically worthless old painting, say, from an antique shop or art auction. Wood panel or canvas, each would be naturally aged and seasoned, ready to scrape, … [Read more...] about When I Grow Up, I Want to Be an Art Forger

Tagged With: alizarin crimson, art forgery, azurite, chrome yellow, Eric Hebborn, flake white, ivory black, lapis, malachite, orpiment, pigments, ultramarine blue, Van Gogh, vermilion, viridian

Arsenic in the Stew

December 31, 2010 by Margret Short

orpiment for painting

Orpiment, shown above in its natural form and also pigment form, was widely used in Egypt during and after the 18th dynasty, about 1500 BC. During this period the very progressive and successful female pharaoh, Hatshepsut, was in power. It is thought that she initiated trade with other countries and the use of orpiment began because of her. Because … [Read more...] about Arsenic in the Stew

Tagged With: cadmium yellow, canary yellow pigment, Hatshepsut, oil paints, orpiment, pigments, toxic pigments

Malachite in the Raw

December 22, 2010 by Margret Short

detail of painters rock texture

While at the Smithsonian Museum this past March, I found many examples of pigments as they are found in nature. This chunk shows the beautiful greens of malachite with true blue veins of azurite. Coming in March 2011 Lessons from the Pharaoh's Tomb, Part ll, Galerie Gabrie, Pasadena … [Read more...] about Malachite in the Raw

Tagged With: azurite, copper ore, malachite, pigments

Oil Change

December 21, 2010 by Margret Short

photograph of gomma arabica

As I said in the previous post, the Egyptian artists mixed pigment with egg or acacia sap which is also known a gum arabic.  Both are binders for a water based paint. Another binder for water based paint is acrylic or egg yolk or even sometimes the whole egg. Often egg is used as a binder in oil painting also. The equivalent to this in oil … [Read more...] about Oil Change

Tagged With: acacia sap, acrylic, alkyd, binders, egg, gum arabic, how to make paint, linseed oil, oil, paint making, pigments, poppyseed oil, walnut oil

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