Countless times over the past months of Lessons from the Low Countries research, I have made splendid discoveries. And, yesterday's was no less so. While reading the Still Lifes: Techniques and Style book where the pronk discovery developed, I found a delightful reference to a relationship between an artist's wealth and pigment use. Pictured … [Read more...] about Art Studio-CSI
Historical Pigments
One More Elimination
The experimentation with historic pigments continues to bring unexpected periods of learning and discovery. It is surprising, again and again, how few colors are necessary. During the painting of #8 and #9, the green pigment on my palette was narrowed down to one, vagone because of its good drying qualities. If you will remember the previous color … [Read more...] about One More Elimination
Living Green
Some of the most useful colors I have found for this project are the lovely green earths. Green earth is a generic term used to describe a family of colors. Verona green, (mined near Verona, Italy), epidot, Bavarian and Bohemian, nicosia, celadonite, terre verde, and vagone are a few. For the most part, each one is slightly gritty. These natural … [Read more...] about Living Green
Full Steam Ahead
March 1st is just around the corner and full steam ahead it is! Pictured here is a detail of painting #5. The detail is showing a very small portion because this is the "stool climbing canvas" and will be the largest in the exhibit. As some of you know, I started taking piano lessons a few years ago. This introduction to music opened vast … [Read more...] about Full Steam Ahead
Impenetrable Goo
Last Thursday evening I finished painting #4. Each one gets a little larger as I become more familiar with the handling and brushability of the paints. Unquestionably, these historic pigments are profoundly different from the modern ones. Paints without a wax binder or other stabilizers are "long", meaning slightly runny and not in any … [Read more...] about Impenetrable Goo
Color Junkie
The past several weeks I have been busy with color making. Pictured here is genuine Vermilion, a color I could never do without. Because you know my style of painting, you know I favor the warm tones especially reds. This particular pigment has been used since antiquity and is made from natural cinnabar. It has been found in ancient China, … [Read more...] about Color Junkie