Without going too deeply into the scientific technicalities of cinnabar/vermilion properties, the differences between the two pigments are: cinnabar is created by the combination of mercury and sulfur through a natural process and found in mines in many locations, and vermilion is made by combining mercury and sulfur in very hot temperatures … [Read more...] about Dragons and Elephants
Margret's Blog
Comparisons
top left: flake white + vermilion Robert Doak (tube) top right: cinnabar Monte Amiata Italy Sinopia + flake white (dry pigment with linseed) bottom left: flake white + vermilion Rublev Natural Pigments (dry pigment with linseed) bottom right: cinnabar Rublev Natural Pigments + flake … [Read more...] about Comparisons
Monks Seeing Red
Very early manuscripts document both the manufacture and use of vermilion. Some called this indispensable color the prince of reds which was more brilliant than the natural cinnabar. Theophilus (Roger of Helmarshausen)the Benedictine Monk, described the alchemical synthesis in his technical handbook De diversis artibus (On Divers Arts … [Read more...] about Monks Seeing Red
Penelope’s Web
Penelope's Web SOLD 9 1/2x10 Oil on Gold Leaf Margret E. Short, Copyright 2008 American Art in Miniature Gilcrease Museum, Tulsa, Oklahoma … [Read more...] about Penelope’s Web
Lush Life
Lush Life 10x8 Oil on Panel © 2008 Margret E. Short Salmagundi Club, 125th Annual Members' Exhibition November 17 through December 5 2008 47 Fifth Avenue, New York, NY 10003 212-225-7740 … [Read more...] about Lush Life
Red Haired Men and Other Curiosities on Pigments
A lively and strange excerpt from Bright Earth by Philip Ball, gives us a recipe for Spanish Gold using pure magical thinking. From the writings of Theophilus: "There is also a gold named Spanish gold, which is compounded from red copper, basilisk powder, human blood, and vinegar. The heathen, whose skill in this art is … [Read more...] about Red Haired Men and Other Curiosities on Pigments