top left: flake white + vermilion Robert Doak (tube) top right: cinnabar Monte Amiata Italy Sinopia + flake white (dry pigment with linseed) bottom left: flake white + vermilion Rublev Natural Pigments (dry pigment with linseed) bottom right: cinnabar Rublev Natural Pigments + flake … [Read more...] about Comparisons
Margret's Blog
Monks Seeing Red
Very early manuscripts document both the manufacture and use of vermilion. Some called this indispensable color the prince of reds which was more brilliant than the natural cinnabar. Theophilus (Roger of Helmarshausen)the Benedictine Monk, described the alchemical synthesis in his technical handbook De diversis artibus (On Divers Arts … [Read more...] about Monks Seeing Red
Penelope’s Web
Penelope's Web SOLD 9 1/2x10 Oil on Gold Leaf Margret E. Short, Copyright 2008 American Art in Miniature Gilcrease Museum, Tulsa, Oklahoma … [Read more...] about Penelope’s Web
Lush Life
Lush Life 10x8 Oil on Panel © 2008 Margret E. Short Salmagundi Club, 125th Annual Members' Exhibition November 17 through December 5 2008 47 Fifth Avenue, New York, NY 10003 212-225-7740 … [Read more...] about Lush Life
Red Haired Men and Other Curiosities on Pigments
A lively and strange excerpt from Bright Earth by Philip Ball, gives us a recipe for Spanish Gold using pure magical thinking. From the writings of Theophilus: "There is also a gold named Spanish gold, which is compounded from red copper, basilisk powder, human blood, and vinegar. The heathen, whose skill in this art is … [Read more...] about Red Haired Men and Other Curiosities on Pigments
The Basilisk
According to Micha Lindemans, the basilisk is the mythical king of the serpents. This cockatrice creature was born from a spherical, yolkless egg, laid during the days of Sirius by a seven year old rooster and hatched by a toad. It also played a role in the making of Spanish Gold. The basilisk could have originated from the horned adder or hooded … [Read more...] about The Basilisk