A reader wrote last week confused about the differences between the shades of raw sienna and burnt sienna. As you can see by the image here, not only are the shades different from pigment to pigment but also from supplier to supplier. The five samples shown here are the ones I use on my palette. On the left is the pigment in its pure form with … [Read more...] about Raw Sienna Review
Margret's Blog
The Sun, the Moon , and Burnt Sienna
Burnt Sienna is an extraordinarily versatile and useful pigment. In use since antiquity, the siennas sometimes are grouped into the "brown" category, but they are far from plain old brown. With their iron oxide ingredients, they range from rich earthy reds to foreboding darks. In earlier times, sienna was found in Siena, Italy and was … [Read more...] about The Sun, the Moon , and Burnt Sienna
Blue Bandeau
Blue Bandeau 10x9 Oil on Linen SOLD © 2008 Margret E. Short After all these many months of using the historical pigments exclusively, I am consistently amazed at how easy it is to get a harmonious color theme. By using just these few colors on my palette makes the decisions so easy. There is just no … [Read more...] about Blue Bandeau
More Details
More details of Tulipomania. The unveiling will take place closer to the AWA exhibit date in December. … [Read more...] about More Details
Silver Dollar Details
Detail of newly completed Tulipomania, 20 x 24, which is destined for the upcoming American Women Artists 2008 Member Juried Competition Galerie Gabrie in Pasadena, CA in December … [Read more...] about Silver Dollar Details
Safety with Pigments
A blog reader, Sara Mast, recently posted a comment on an entry called, Perplexing Pigments, that I posted in October of 2006. The topic of this post is the safety of using pigments in the dry natural form. Sara wanted to know about my working procedures. This is something that is of great importance to me, and I use great care while handling … [Read more...] about Safety with Pigments