There are several supports which can be used for painting with oil. Canvas, wood panel, copper are some. For this project I will use only linen canvas and panels made of birch. Here I am stretching raw, unprimed linen over sturdy stretcher bars. Making sure there is enough to pull around the bar, I staple the back side securely, but not too … [Read more...] about Preparing the Supports
Margret's Blog
Studio Abandonment
Several weeks have passed since grinding enough colors to get a good start on this project. And, in spite of the holidays, I am now on painting #3. Painting #1 is based on a portrait by Franz Hals which is of interest because of the wonderful lace collar on the gentleman. It is a very mono-chromatic painting with bravura brush strokes, showing … [Read more...] about Studio Abandonment
Color Junkie
The past several weeks I have been busy with color making. Pictured here is genuine Vermilion, a color I could never do without. Because you know my style of painting, you know I favor the warm tones especially reds. This particular pigment has been used since antiquity and is made from natural cinnabar. It has been found in ancient China, … [Read more...] about Color Junkie
Recap Recap
For all of you who are drop in or first time readers of this blog, I would like to recap the nature of my “Lessons from the Low Countries” Project. Alyson actually suggested I do this. She is my career coach and has been instrumental in guiding me through the steps of posting cohesive ideas. The project is actually all summarized in the first … [Read more...] about Recap Recap
Modern Versus Historic
In my research of historic pigments thus far, I have come to this conclusion. The main difference between the modern day pigments and those of the 17th century is particle size. Modern paint makers use technology which enables them to grind paints to a uniform smooth consistency. The grinding techniques or the synthetic process by which paints are … [Read more...] about Modern Versus Historic
All for Beauty
As I have mentioned in previous posts, many pigments were really nasty and very poisonous. Two yellows, called orpiment and realgar, both made by alchemy, are extremely poisonous and for this reason have gone out of use. Other pigments were poor driers or not permanent and thus lost popularity. So the list narrowed, and it is now published … [Read more...] about All for Beauty