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Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

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Color Studies

September 21, 2012 by Margret Short

Beads and Dogwood is a 6×6 study done with the color theme described in the previous post. If you will look closely, you can see how few color mixtures are in the composition. The background was toned with Graham burnt sienna then allowed to dry. Lots of smooshing and brushstrokes were left visible so as to give lots of character to the background which did not have to be noodled with at all when dried. The Graham ochre and raw sienna were used over and over again throughout. For the lighter areas, a little white was added especially in the flower centers. The various greens were made by combining all the pigments in many varieties. By following this very limited palette concept, it is easy to achieve a harmonious color feeling. My next experimentation definitely will be with more of the Graham colors.

M. Graham – yellow ochre, raw sienna, burnt sienna

D. Smith – Amazonite, Sleeping Beauty Turquoise

Rublev – Madder Lake, Flake White

Beads and Dogwood

Beads and Dogwood Study

6×6 Oil on Panel

© Margret E. Short 2012, OPA. AWAM

 

Tagged With: Amazonite, burnt sienna, D. Smith, M. Graham, Madder Lake, oil painting, raw sienna, Sleeping Beauty Turquoise, yellow ochre

Chiaroscuro Painting

Oil painting with the chiaroscuro technique illuminates the focus area with a strong light. All other areas are painted with less detail, lower values, and intensity of color giving a mysterious appearance. By putting one or two objects in the important focus area, a strong but simple composition will emerge. Combining these oil painting techniques with a selection of superior natural pigments and oil paints result in the beautiful and evocative quality known as Chiaroscuro Painting.

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