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Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

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Final Results – Stack White Process – Part lV

December 21, 2013 by Margret Short

Stack pots after two weeks of corroding. The smell of acetic acid (vinegar) is still present inside the stack shed, but not as sharp as it was initially. The temperature within the compost heap is raising, but on the surface it is still at ambient temperatures.

Flakes have formed on the lead coils.
Flakes have formed on the lead coils.

The relative humidity inside the shed is nearly 100%. Controlling the compost stack temperature is critical to maintaining conditions suitable for lead corrosion. An inovative method was developed for maintaining the temperature inside the shed.

A close view of the coils shows the extent of corrosion on the lead after only two weeks, yet unevenly spread across the lead sheet. This was a problem often discussed in literature but without solution.

Closeup of lead coil after flakes have formed.
Closeup of lead coil after flakes have formed.

Well, after 12 weeks of waiting, the flakes are scraped off the surface of the lead strips and prepared for use. The flakes are washed and pressed into a cake form which is easier for artists to handle. It can be made in small amounts as needed by mixing with a drying oil such as linseed. As you are handling a product like this, always use the utmost care. I make pigments in small batches (enough for just a day or two) using a respirator, gloves, and smock. Always work in a space with no breezes blowing such as a furnace vent or fan. Make sure the air is completely still and wipe down work areas carefully.

Flakes of white lead formed during the process.
Flakes of white lead formed during the process.
The flakes are plainly visible here. One of the most beautiful advantages to this pigment is the variety of particle shapes and sizes. Light will reflect off the surface of the painting in a myriad of directions and intensities because of this. Images and information courtesy George O”Hanlon, Natural Pigments

Tagged With: colors, historical pigments, Margret E. Short, Margret Short, oil painting, painting, paintings, Pigment, pigment project, pigments, stack lead white, stack white pigment

Chiaroscuro Painting

Oil painting with the chiaroscuro technique illuminates the focus area with a strong light. All other areas are painted with less detail, lower values, and intensity of color giving a mysterious appearance. By putting one or two objects in the important focus area, a strong but simple composition will emerge. Combining these oil painting techniques with a selection of superior natural pigments and oil paints result in the beautiful and evocative quality known as Chiaroscuro Painting.

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