• Skip to primary navigation
  • Skip to main content
  • Skip to footer
Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

  • Home
  • About
    • Margret E Short Bio
    • Resumé
    • Artist’s Statement
    • Artist Resources
    • The Lessons Series
    • Oregon Honor
  • Commission
  • Prints
  • Events
  • Galleries
  • Projects
    • Backwards and in Heels, Part II
    • Backwards and In Heels, Part 1
    • Quintessential Blue
    • Iso-LACE-tion: A Thirty Day Painting Project
    • Indigenous Naturals Project
    • Lessons from the Spider Woman
    • Girl Jazz Singers
    • Lessons from the Pharaoh’s Tomb, Part 1
    • Lessons from the Pharaoh’s Tomb, Part 2
    • Lessons from the Low Countries
    • Greek Pigment Project
  • Contact
  • Blog

Hemlock and Lead White

July 23, 2011 by Margret Short

Painting detail all cloth 72@3

Hemock detail72@3
One of the most important events that took place at the very end of the 5th century BCE was the death of Socrates. I wanted to incorporate this into the composition of the painting without actually painting the flowers. The white flowering plant above is the blossom of the hemlock which I replicated across the surface of the focal piece of white cloth, shown at top.

Socrates was convicted of two ambiguous charges: corrupting the youth and impiety. He was forced to drink the hemlock liquid, and died in 399BCE. A new book about these events has just been published, The Hemlock Cup by Bettany Hughes.

To achieve the actual look of the flower on the cloth, a mid-value white was applied, using white+yellow ochre+black. Then a lighter quite sticky mixture was applied in the shape of the circular petals. One of my favorite mediums is the Venetian Medium. Paint it onto a dry surface and couch the upper layer into this for a wet on wet technique. By mixing a few drops of a more liquid medium such as the Strasbourg medium right into the paint, it forms a nice sticky workability. This maybe sounds counter-productive, but it works well for this application.

Tagged With: 5th century BCE, Greek history, hemlock, oil painting, pigments, Socrates, trial of Socrates, Venetian medium

Chiaroscuro Painting

Oil painting with the chiaroscuro technique illuminates the focus area with a strong light. All other areas are painted with less detail, lower values, and intensity of color giving a mysterious appearance. By putting one or two objects in the important focus area, a strong but simple composition will emerge. Combining these oil painting techniques with a selection of superior natural pigments and oil paints result in the beautiful and evocative quality known as Chiaroscuro Painting.

Reader Interactions

Comments

  1. Julius Nellis says

    February 14, 2012 at 1:01 am

    Julius Nellis

    Great, thanks for sharing this post. Fantastic.

Footer

Sign up for Margret’s Newsletter

Join Margret while she explores imagery and pigments used since 3500 BC!

Email Address:

Recent Blogs

Dancing Backwards Part ll with the Iconic Artemisia Gentileschi

Dancing Backwards in High Heels Part ll, More Lessons with Fred and Ginger and Judith Leyster in Haarlem

Dancing Backwards with Elisabeth Vigee LeBrun: Painter to the Stars and Royalty

Dancing Backwards in High Heels Part Two in Portugal with Josefa de Obidos

Dancing Backwards in High Heels Part Two; Cliff Notes Version of Color Sleuthing

[More Blog Posts]

  • Instagram
  • LinkedIn
  • Pinterest
  • RSS

Looking for Something Special?

© 2006 - © 2026 Margret E Short, all rights reserved