• Skip to primary navigation
  • Skip to main content
  • Skip to footer
Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

  • Home
  • About
    • Margret E Short Bio
    • Resumé
    • Artist’s Statement
    • Artist Resources
    • The Lessons Series
    • Oregon Honor
  • Commission
  • Prints
  • Events
  • Galleries
  • Projects
    • Quintessential Blue
    • Iso-LACE-tion: A Thirty Day Painting Project
    • Indigenous Naturals Project
    • Lessons from the Spider Woman
    • Girl Jazz Singers
    • Lessons from the Pharaoh’s Tomb, Part 1
    • Lessons from the Pharaoh’s Tomb, Part 2
    • Lessons from the Low Countries
    • Greek Pigment Project
  • Contact
  • Blog

Lekythos

August 27, 2011 by Margret Short

White ground jar 100@5My Greek painting is nearly finished and will be revealed in about a week or so. I want my client to see only snippets beforehand, so just details like this one will be shown for now. Hours and hours of research went into all aspects of the composition in addition to pigments. This lekythos  jar was popular during the classical period of 5th century BCE. Known as a white ground vessel, it is made with a white slip (liquid clay) upon which the decoration was painted.

In my composition, I painted the jar in much the same manner that the ancient artists would have painted theirs. I first roughed it in with 4 or so values using umbers, yellow ochre, and white. This was allowed to dry. The large featured black figure vase (not shown here) is creating the strong shadow shape on the left of the jar which gives interest and depth. In subsequent layers, the jar was painted fully and perfectly without the figure. I also added texture, chips, and soiling to replicate the age and use a normal 2500 year old object would show.

After the surface was completely dry, I added the Greek key decoration around the edges using a glaze like paint consistency of black and madder. The figure is painted in a similar manner by drawing in the shapes then smudging the edges and filling in here and there, again to replicate the aging. The figure shows the figure of a musician playing the ancient stringed instrument called a kithara.

Throughout this painting I have found by allowing the surface of the vessels to dry completely then applying the decoration has been the best approach. Have any of you painted such a vessel with figurative or other decorations? How have you approached your technique?

 

 

 

Tagged With: 5th century BCE, black pigment, Greek key, Greek lekythos jar, Greek pigments, kithara, madder, umber, white ground jar, yellow ochre

Chiaroscuro Painting

Oil painting with the chiaroscuro technique illuminates the focus area with a strong light. All other areas are painted with less detail, lower values, and intensity of color giving a mysterious appearance. By putting one or two objects in the important focus area, a strong but simple composition will emerge. Combining these oil painting techniques with a selection of superior natural pigments and oil paints result in the beautiful and evocative quality known as Chiaroscuro Painting.

Footer

Sign up for Margret’s Newsletter

Join Margret while she explores imagery and pigments used since 3500 BC!

Email Address:

Recent Blogs

Doing the Mazurka with Emma Sandys

Adelaide Labille-Guiard; Folkdancing Backwards

The Queen of Capri Waltzed Backwards in Button Boots: Sophie Gengembre Anderson

Dancing the Rigaudon Backwards: Rachel Ruysch

Dancing Backwards with Elisabetta Sirani: 1638-1665

[More Blog Posts]

  • Instagram
  • LinkedIn
  • Pinterest
  • RSS

Looking for Something Special?

© 2006 - © 2025 Margret E Short, all rights reserved