• Skip to primary navigation
  • Skip to main content
  • Skip to footer
Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

  • Home
  • About
    • Margret E Short Bio
    • Resumé
    • Artist’s Statement
    • Artist Resources
    • The Lessons Series
    • Oregon Honor
  • Commission
  • Prints
  • Events
  • Galleries
  • Projects
    • Quintessential Blue
    • Iso-LACE-tion: A Thirty Day Painting Project
    • Indigenous Naturals Project
    • Lessons from the Spider Woman
    • Girl Jazz Singers
    • Lessons from the Pharaoh’s Tomb, Part 1
    • Lessons from the Pharaoh’s Tomb, Part 2
    • Lessons from the Low Countries
    • Greek Pigment Project
  • Contact
  • Blog

Low Country, High Water

November 12, 2006 by Margret Short

The second commission piece is finished! The Low Country Project can begin! First, I must describe another “low country” type of experience. You probably all have read about the recent rains in the Northwest that have brought high waters and flooding; more rain than some people have ever seen. Many homes have been lost to the Sandy River in Oregon and many in Washington also.

Last weekend while enjoying a get-away with a friend, Judy, at the Oregon Coast, I experienced “low country living” up close and personal. Judy’s house is on the Nehalem River and has about 5 feet of grass between the bank and the house. For the first couple of days, we watched the wind and pounding rain from the big window that looks out onto the river, enjoying several movies, and good food and a great bottle of cabernet.

By Monday morning the river overflowed its edges and the current was astonishingly fast. The Nehalem has a reputation for flooding the nearby dairy farms, and this particular day we watched the water lapping onto the grass in front of the house. For 3 hours we watched things float or disappear; the stack of fire wood, a slowly drowning yellow flower, a cow pie, and the patio. By this time, the deluge had been pelting down for 48 hours. Considering the high tide, which was 9.3 at noon, and factoring in the many inches of rain on top of that, we should have predicted the coming events.

Soon we decided to plan our escape. By the time we packed, and began loading the car, the water was rushing to the front side of the house, and I mean rushing. The storm door would have lost its hinges if not for Judy holding a white knuckle grip to keep it connected to the house. The cold water saturated our shoes and socks as we waded to load the car; all the while fearing the tailpipe would fill with water too. Then we would really be sunk. The long driveway to Tideland Road flowed like a newly formed river as Judy’s hat, which the wind had whipped off, bobbed in the current like that lonely cow pie.

Except for wet and cold feet, we evacuated safely. The drive home proved to be colorful also: downed trees, emergency vehicles, overflowing rivers and creeks, detours, a four-car rear-ender, and a Ford Taurus munched by a semi-truck. Four hours later as I walked into my house, my husband, Dave handed me a martini, very dry.

I look forward to working in my quiet studio over the next few months on my real Low Country project. Let’s hope the weather calms down a little.

Chiaroscuro Painting

Oil painting with the chiaroscuro technique illuminates the focus area with a strong light. All other areas are painted with less detail, lower values, and intensity of color giving a mysterious appearance. By putting one or two objects in the important focus area, a strong but simple composition will emerge. Combining these oil painting techniques with a selection of superior natural pigments and oil paints result in the beautiful and evocative quality known as Chiaroscuro Painting.

Reader Interactions

Comments

  1. Judy says

    November 12, 2006 at 6:55 pm

    What a perfect recap of a memorable time. Our timing was “pecible” that day. What an adventure we had!

  2. Alyson B. Stanfield says

    November 12, 2006 at 8:23 pm

    Good heavens! I’m so glad you were together. And, in my experience, martinis are the perfect remedy for a rough day.

Footer

Sign up for Margret’s Newsletter

Join Margret while she explores imagery and pigments used since 3500 BC!

Email Address:

Recent Blogs

Doing the Mazurka with Emma Sandys

Adelaide Labille-Guiard; Folkdancing Backwards

The Queen of Capri Waltzed Backwards in Button Boots: Sophie Gengembre Anderson

Dancing the Rigaudon Backwards: Rachel Ruysch

Dancing Backwards with Elisabetta Sirani: 1638-1665

[More Blog Posts]

  • Instagram
  • LinkedIn
  • Pinterest
  • RSS

Looking for Something Special?

© 2006 - © 2025 Margret E Short, all rights reserved