Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.
Red Iron Oxide
by Margret Short
Red iron oxide pigment mixed with linseed oil.
A detail of my most recent project painting using red iron oxide.
Temple wall at Edfu showing traces of probable red iron oxide.
I will be using and researching this pigment in the coming days.
Chiaroscuro Painting
Oil painting with the chiaroscuro technique illuminates the focus area with a strong light. All other areas are painted with less detail, lower values, and intensity of color giving a mysterious appearance. By putting one or two objects in the important focus area, a strong but simple composition will emerge. Combining these oil painting techniques with a selection of superior natural pigments and oil paints result in the beautiful and evocative quality known as Chiaroscuro Painting.
Reader Interactions
Comments
Sue Smithsays
Hi Margret – that color is wonderful – I’m wondering how close it is to transparent red oxide, a color I use constantly. My TRO doesn’t seem as saturated as your version.
Jim Dittmersays
I wonder how the permanence of these mineral based pigments compares with the petroleum and coal based ones of today? Judging from the temple wall, today’s modern colorants have a high bar to leap!
Jo Powellsays
Dear Margret,
What you do is magic. Sorry I missed the May 21 show. Hugz, Jo
Sue Smith says
Hi Margret – that color is wonderful – I’m wondering how close it is to transparent red oxide, a color I use constantly. My TRO doesn’t seem as saturated as your version.
Jim Dittmer says
I wonder how the permanence of these mineral based pigments compares with the petroleum and coal based ones of today? Judging from the temple wall, today’s modern colorants have a high bar to leap!
Jo Powell says
Dear Margret,
What you do is magic. Sorry I missed the May 21 show. Hugz, Jo