Recently, I stumbled upon a luscious piece of floral fabric that I just could not resist purchasing. I knew it would be a terrific prop for a painting one day. Sometimes it is very worthwhile to ramble aimlessly through a market just to see what captures your eye. When I saw the pattern on this cloth, I instantly knew it was something very special … [Read more...] about Harvest Moon Gladiolas – Thanks to Neil Young
burnt umber
On the Easel
Often followers ask about current projects. Though at this time, I have no in-depth project involving an ancient culture or goddess from an ancient world, there are endless pigments, mediums, brushstrokes, or canvas textures to investigate. On my easel right now, is the painting posted here in its early stages of development. Dramatic light is … [Read more...] about On the Easel
Pots, Black on Black
Detail of black on black pottery in painting #2 Painting black on black pottery on canvas is tricky, in that, the darkest coolest black is quite dark and dense. For this I used ivory black with just a tiny addition of burnt umber dark to facilitate the drying. The Burnt Umber Dark from Cypress is the darkest I have found. As you remember, … [Read more...] about Pots, Black on Black
Cinnabar
My favorite red pigment used by ancient Greeks is cinnabar. It was a perfect hue to use on these poppies. I used burnt umber and madder for the shadow tones, and heightened the lights with yellow ochre and white. A very similar hue can be attained by using vermilion, a much more intense in color. Just calm the heat with a nice earthy … [Read more...] about Cinnabar
Uber Umber
There are several colors I could not do without on my palette. This is a splendid very dark burnt umber from Cypress. It is very dark almost black with a warm undertone and is easy to make. There are many versions of this pigment, but this dark one is my favorite. One terrific and useful characteristic of this pigment is the drying quality; … [Read more...] about Uber Umber
Challenges
Many attempts and many methods were tried and aborted before this beautiful surface was achieved on my painting, shown above. Initially, I used a wet on wet technique by applying a mixture of yellow ochre, red iron oxide, and white to replicate the actual color of the clay on the Greek vessel. Then, atop the wet surface I applied a mixture of black … [Read more...] about Challenges