One of the most spectacular mineral colors is azurite/malachite, which was at one time abundant and found in many places around the world including Arizona. It has been used by both artists of the past and today. This magnificent chunk is at the Tohona Botanical Garden in Tucson, AZ. The color absolutely made my heart go flip flop when I first … [Read more...] about Uber Azurite
malachite
Galerie Gabrie, Press Release
For Immediate Release Jasminka Gabrie, March 1, 201 Galerie Gabrie 597 East Green St. Pasadena, California Lessons from the Pharaoh's Tomb, Part Two How often do we visit a museum or historic exhibition, gaze and marvel at the beauty, skill and talent of the artists work and … [Read more...] about Galerie Gabrie, Press Release
Cleopatra’s Garden
Lessons from the Pharaoh's Tomb, Part Two Cleopatra's Garden, shown above, evolved over a period of time with a "cultural blending" of ideas. My artistic license is used liberally throughout the process with many differing objects from various cultures in the composition. The "garden" is from imagination depicting favorite flowers and found … [Read more...] about Cleopatra’s Garden
Irresistible
The combination of malachite with azurite makes the most luscious pigment, and I just can't resist using lots of it. This detail shows a small jar in one of the new paintings in the Part ll project. … [Read more...] about Irresistible
Details Please
This detail of the same painting shows a chunk of malachite similar to those found in the Egyptian rooms at the Smithsonian. I thought it fitting to portray the mineral as the ancients would have found it before it was ground into a pigment. … [Read more...] about Details Please
From the Vizier’s Studio
This detail of one of the finished Part ll Project paintings shows how the vizier's paintbox might have looked in his studio. The colors in the box, red iron oxide, malachite, yellow, and black were all used in my painting just has he most likely would have used. Writings below the box are on papyrus. … [Read more...] about From the Vizier’s Studio