If you can imagine you wanted to replicate the image of this jar, how would you attack the task? Would you paint the light colors and apply the design wet in wet? Or would you try my technique described in the previous entry below? What colors would you use? All three vessels were a huge challenge and a matter of trial and error involving … [Read more...] about Your Approach?
pigments
Uber Umber
There are several colors I could not do without on my palette. This is a splendid very dark burnt umber from Cypress. It is very dark almost black with a warm undertone and is easy to make. There are many versions of this pigment, but this dark one is my favorite. One terrific and useful characteristic of this pigment is the drying quality; … [Read more...] about Uber Umber
Challenges
Many attempts and many methods were tried and aborted before this beautiful surface was achieved on my painting, shown above. Initially, I used a wet on wet technique by applying a mixture of yellow ochre, red iron oxide, and white to replicate the actual color of the clay on the Greek vessel. Then, atop the wet surface I applied a mixture of black … [Read more...] about Challenges
Hemlock and Lead White
One of the most important events that took place at the very end of the 5th century BCE was the death of Socrates. I wanted to incorporate this into the composition of the painting without actually painting the flowers. The white flowering plant above is the blossom of the hemlock which I replicated across the surface of the focal piece of white … [Read more...] about Hemlock and Lead White
Cleopatra’s Garden
Lessons from the Pharaoh's Tomb, Part Two Cleopatra's Garden, shown above, evolved over a period of time with a "cultural blending" of ideas. My artistic license is used liberally throughout the process with many differing objects from various cultures in the composition. The "garden" is from imagination depicting favorite flowers and found … [Read more...] about Cleopatra’s Garden
Kom Ombo
Kom Ombo 8x10 Oil on Gold Leaf © Margret E. Short 2011 Lessons from the Pharaoh's Tomb, Part Two It seems perfectly fitting to use gold leaf as a base support for the ancient Egyptian pigment project paintings, especially considering so many antiquities are made of precious metals such as gold. First I applied twenty three carat gold … [Read more...] about Kom Ombo






