• Skip to primary navigation
  • Skip to main content
  • Skip to footer
Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

  • Home
  • About
    • Margret E Short Bio
    • Resumé
    • Artist’s Statement
    • Artist Resources
    • The Lessons Series
    • Oregon Honor
  • Commission
  • Prints
  • Events
  • Galleries
  • Projects
    • Backwards and in Heels, Part II
    • Backwards and In Heels, Part 1
    • Quintessential Blue
    • Iso-LACE-tion: A Thirty Day Painting Project
    • Indigenous Naturals Project
    • Lessons from the Spider Woman
    • Girl Jazz Singers
    • Lessons from the Pharaoh’s Tomb, Part 1
    • Lessons from the Pharaoh’s Tomb, Part 2
    • Lessons from the Low Countries
    • Greek Pigment Project
  • Contact
  • Blog

pigments

Your Approach?

August 28, 2011 by Margret Short

photograph of greek ceramic vase

If you can imagine you wanted to replicate the image of this jar, how would you attack the task? Would you paint the light colors and apply the design wet in wet? Or would you try my technique described in the previous entry below? What colors would you use? All three vessels were a huge challenge and a matter of trial and error involving … [Read more...] about Your Approach?

Tagged With: ancient Greece, Greek ceramics, painting techniques, pigments, white ground vessel

Uber Umber

August 16, 2011 by Margret Short

There are several colors I could not do without on my palette. This is a splendid very dark burnt umber from Cypress. It is very dark almost black with a warm undertone and is easy to make. There are many versions of this pigment, but this dark one is my favorite. One terrific and useful characteristic of this pigment is the drying quality; … [Read more...] about Uber Umber

Tagged With: burnt umber, drying quality, earth colors, pigments

Challenges

August 11, 2011 by Margret Short

photograph of greek vase

Many attempts and many methods were tried and aborted before this beautiful surface was achieved on my painting, shown above. Initially, I used a wet on wet technique by applying a mixture of yellow ochre, red iron oxide, and white to replicate the actual color of the clay on the Greek vessel. Then, atop the wet surface I applied a mixture of black … [Read more...] about Challenges

Tagged With: black, black figure designs, burnt umber, Greek black figure vase, oil painting techniqes, pigments

Hemlock and Lead White

July 23, 2011 by Margret Short

One of the most important events that took place at the very end of the 5th century BCE was the death of Socrates. I wanted to incorporate this into the composition of the painting without actually painting the flowers. The white flowering plant above is the blossom of the hemlock which I replicated across the surface of the focal piece of white … [Read more...] about Hemlock and Lead White

Tagged With: 5th century BCE, Greek history, hemlock, oil painting, pigments, Socrates, trial of Socrates, Venetian medium

Cleopatra’s Garden

March 1, 2011 by Margret Short

Dutch stilleven style painting moody light floral bouquet by Margret short

Lessons from the Pharaoh's Tomb, Part Two  Cleopatra's Garden, shown above, evolved over a period of time with a "cultural blending" of ideas. My artistic license is used liberally throughout the process with many differing objects from various cultures in the composition. The "garden" is from imagination depicting favorite flowers and found … [Read more...] about Cleopatra’s Garden

Tagged With: Egyptian blue, Khan el-Khalil, malachite, peaches, pigments, Ptolemaic period, red iron oxide, yellow ochre

Kom Ombo

March 1, 2011 by Margret Short

Painting of Kom Ombo made with oil paint on gold leaf

Kom Ombo 8x10   Oil on Gold Leaf © Margret E. Short 2011 Lessons from the Pharaoh's Tomb, Part Two It seems perfectly fitting to use gold leaf as a base support for the ancient Egyptian pigment project paintings, especially considering so many antiquities are made of precious metals such as gold. First I applied twenty three carat gold … [Read more...] about Kom Ombo

Tagged With: azurite, Egypt, gold leaf, Kom Ombo, Nile, pigments, red iron oxide, Sobek, yellow ochre

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 4
  • Page 5
  • Page 6
  • Page 7
  • Page 8
  • Interim pages omitted …
  • Page 14
  • Go to Next Page »

Footer

Sign up for Margret’s Newsletter

Join Margret while she explores imagery and pigments used since 3500 BC!

Email Address:

Recent Blogs

Dancing Backwards Part ll with the Iconic Artemisia Gentileschi

Dancing Backwards in High Heels Part ll, More Lessons with Fred and Ginger and Judith Leyster in Haarlem

Dancing Backwards with Elisabeth Vigee LeBrun: Painter to the Stars and Royalty

Dancing Backwards in High Heels Part Two in Portugal with Josefa de Obidos

Dancing Backwards in High Heels Part Two; Cliff Notes Version of Color Sleuthing

[More Blog Posts]

  • Instagram
  • LinkedIn
  • Pinterest
  • RSS

Looking for Something Special?

© 2006 - © 2026 Margret E Short, all rights reserved