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Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

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The Vizier’s Paints

December 31, 2010 by Margret Short

Paint Box of Vizier Amenemope

 Paint box of vizier Amenemope  100@7

Egypt, New Kingdom, Dynasty 18 (1540-1296 BC),
Reign of Amenhotep II, c. 1427-1401 BC.
Boxwood with inscription inlaid in Egyptian blue, 3.6 x 2.2 x 21.0 cm.
© The Cleveland Museum of Art
Gift of the John Huntington Art and Polytechnic Trust 1914.680
Image Courtesy of Cleveland Museum of Art.

This amazing 3400 year old paint box once belonged to Vizier Amenemope who lived during the reign of Amenhotep ll, c.1427-1401BCE.

This particular vizier, Amenemope, liked to paint for fun when he wasn’t advising the Pharaoh. The paint box, carved from a single piece of boxwood, shows inlay of Egyptian blue in incised hieroglyphics at each end. The rounded squares were carved into the surface to create the paint wells. From the far left the dry pigment cakes are:

  • finely ground carbon black,
  • course ground carbon black,
  • green (mixture of Egyptian blue frit, yellow ochre and orpiment),
  • Egyptian blue frit,
  • red (red ochre (red iron oxide) mixed with orpiment).

All of the colors shown here are still in use today by historical pigment enthusiasts like me when our mad scientist selves are lurking.

The box is in surprisingly good condition and shows only minor cracking along the edges. Surfaces of the paint cakes look slightly dirty which would indicate the smearing of one pigment over another. Not bad for a three thousand four hundred year old artist’s paint box.

Catalogue of Egyptian Art, Cleveland Museum of Art

Coming in March 2011

Lessons from the Pharaoh’s Tomb, Part ll, Galerie Gabrie, Pasadena

 

 

 

Tagged With: Amenemope, Amenhotep ll, carbon black, Egyptian blue frit, orpiment, paint box, red iron oxide, vizier, yellow ochre

Chiaroscuro Painting

Oil painting with the chiaroscuro technique illuminates the focus area with a strong light. All other areas are painted with less detail, lower values, and intensity of color giving a mysterious appearance. By putting one or two objects in the important focus area, a strong but simple composition will emerge. Combining these oil painting techniques with a selection of superior natural pigments and oil paints result in the beautiful and evocative quality known as Chiaroscuro Painting.

Reader Interactions

Comments

  1. Nanci Hersh says

    January 2, 2011 at 8:54 pm

    This is fascinating info… and so relevant as I started my new year with some brand new encaustics from R & F. Your blog looks great Margret- congrats on all your hard work!
    Happy New Year…
    Nanci from your Blog Triage Class

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