There is a mystery that has been baffling scholars for a long time. Why did Rembrandt apply gold leaf to the surface of a sheet of copper and paint in oil atop. Why would he cover a perfectly and already beautiful copper surface? Was it the smoothness? Was it an experiment? Nobody really knows for sure. What is known is that it is an intriguing … [Read more...] about More Rembrandt Mysteries
Into the Soup
Experiments were made using several different brands of powdered gold leaf, but I settled on the Schmincke. This pigment is super fine, rich in color, and mixes easily into a paint by combining the powder with just a little of whatever medium you are working with on your project. I used the Strasbourg medium that I have been using all along on this … [Read more...] about Into the Soup
Atmosphere on the Easel
This is another example of background transparency/translucency that suggests a lot of atmosphere. The brass is glowing through the paint strokes, but it's not too busy either. Black and burnt umber worked well here. Above is a detail of one of the gold leaf paintings. The gold was such a beauitiful passage that it was left unpainted … [Read more...] about Atmosphere on the Easel
Amaryllis
40x40 inches, Oil on Linen … [Read more...] about Amaryllis
Flowers for Saskia
28x22 inches, Oil on Linen … [Read more...] about Flowers for Saskia
Cleopatra’s Garden
22x28 inches, Oil on Linen … [Read more...] about Cleopatra’s Garden