Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

Margret Short

Oil Painting Critiques

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This past week, I had the pleasure of participating in the Oil Painters of America Critique Program. For the nominal fee of $25.00 (which goes to OPA), artists have the opportunity to have a signature or master level member review their oil paintings and give instructional advice on how they might improve their technique. Because I do not do any … [Read more...] about Oil Painting Critiques

Dinner with Sheri in Dallas

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Over the past 17 years or so, I have had the great pleasure of working with a mighty fine web designer, Sheri Huffman. Using the magic of the Internet, we have communicated and worked together via telephone and email all these years. Sheri has designed, edified, guided, suggested, instructed, elucidated, coached, and coaxed me through the … [Read more...] about Dinner with Sheri in Dallas

Iron Oxide Pigments, Colors and Uses in Oil Painting

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George O’Hanlon’s Best Painting Practice Class held in Portland this past weekend was a treasure trove of valuable information.  Much of the information presented was material I have studied over the years since my art quest began, and happily, there were many nuggets presented too.  The topics of materials, techniques, mediums, oil painting … [Read more...] about Iron Oxide Pigments, Colors and Uses in Oil Painting

An Exquisite Touch of History – William Merritt Chase

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The re-known artist/teacher and fellow Salmagundi Club member, William Merritt Chase, once said, "Painting is the Most Magnificent Profession." Though he was born at the middle of the 1800s and died in 1916, he and I are kindred spirits in this belief. There is nothing more enjoyable than observing a splendid sunset and recording it on canvas, or … [Read more...] about An Exquisite Touch of History – William Merritt Chase

Composition Juggling

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Sometimes in the process of working on a painting, things change. Things that seemed perfectly placed just do not come together as planned. If you are lucky this does not happen very often, however for the painting on my easel at this time, I had to juggle some of the objects to make my concept work better. As you can see, I initially placed some … [Read more...] about Composition Juggling