Here is a perfect example of a good use of burnt sienna. The bright (illuminated) side of the rug in painting #4 is painted using vermilion mixed with combinations of naples yellow, lead-tin yellow, and white. Then as the light fades away (to the right side) I have used variations of madder and burnt sienna to give the feeling of depth. … [Read more...] about Sienna Shadows
Tulips 101
One of my blog readers wrote a wonderful and informative comment on the post The Tears of Fernad. She is an avid gardener filled with terrific ideas about how to care for tulips as a cut flower. According to her, they are the only flower that continues to grow after they are cut. To read more of her clever ideas, click on the "comment 1" … [Read more...] about Tulips 101
The Tears of Fernad
Most of us have a big misconception about tulips and their origin. Most of us know they came from Holland. Well, the truth is that Holland has made tulips famous, but they did not originate there. Now, in my sensibility, this is the most splendid and delightful flower to put on canvas. The colors and varieties are endlessly breathtakingly lovely … [Read more...] about The Tears of Fernad
And More!
And more uses for those siennas. Raw sienna used here, mixed with white, lead-tin yellow, and black makes great variations of tones for this application. Painting #9 detail. … [Read more...] about And More!
Geology Burnt Sienna, 101
Burnt sienna, also known as Caledonian brown and terra di Siena, comes in a variety of shades, depending on its source. It gets its rich dark brown coffee color from a heating process. In order to get burnt sienna, you must first heat raw sienna in a process called calcination which removes the water from the clay and turns it from a yellowish to … [Read more...] about Geology Burnt Sienna, 101
Geology Raw Sienna, 101
Limonite clay is a main ingredient in the pigment family called sienna. Raw sienna is described as a dull brownish yellow, which in spite of its dullness, is very versatile and widely used by artists. I have used it for the shady side of yellow objects, in backgrounds, and even fleshtones. It also is a perfect color, used alone, as a shadow tone … [Read more...] about Geology Raw Sienna, 101