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Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

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    • Backwards and in Heels, Part II
    • Backwards and In Heels, Part 1
    • Quintessential Blue
    • Iso-LACE-tion: A Thirty Day Painting Project
    • Indigenous Naturals Project
    • Lessons from the Spider Woman
    • Girl Jazz Singers
    • Lessons from the Pharaoh’s Tomb, Part 1
    • Lessons from the Pharaoh’s Tomb, Part 2
    • Lessons from the Low Countries
    • Greek Pigment Project
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Margret Short

Veronese vs. Viridian the Sequel

May 20, 2007 by Margret Short

  Dr. Georg Kremer from Kremer pigments took the time to read my blog and wrote several comments, and I was quite honored. It is enormously helpful and educational to get information from an expert such as Dr. Kremer. He made a very interesting observation about my color tests on viridian and Veronese green from a couple of weeks ago. Even … [Read more...] about Veronese vs. Viridian the Sequel

Seeing Red

May 13, 2007 by Margret Short

The color tests here are a perfect way to portray the differences between the modern pigments and the historic. On the left is the historic vermilion, pure above and mixed with white below. On the right is the modern pigment, cadmium red, pure on the top and mixed with white below. The intensity of the two colors is immediately apparent. The … [Read more...] about Seeing Red

Peek Performance

May 13, 2007 by Margret Short

Posted here is a detail of painting number 9. The source catalog painting by Rembrandt is a very limited palette and includes many of the friendly colors described in Intimidations below. In spite of the limited range of hues used by Rembrandt, vermilion reds were prominent. I have attempted to capitalize on the chiaroscuro technique here by … [Read more...] about Peek Performance

Intimidations

May 13, 2007 by Margret Short

Isaac Blessing Jacob painting

Time has come finally to tackle one of the Rembrandt’s from the Rembrandt and the Golden Age of Dutch Art exhibit as a source painting. This is a very intimidating quest indeed. My approach was not to think about the genius of Rembrandt, but to concentrate on his colors and probable pigments used. By thinking of it in this manner, the task was not … [Read more...] about Intimidations

A Lilliputian Look

May 3, 2007 by Margret Short

A Lilliputian look at #8! … [Read more...] about A Lilliputian Look

Very Vermilion

May 2, 2007 by Margret Short

Back in October of 2006 while viewing the Rembrandt exhibit at the Dayton Art Institute, I knew in an instant this one must be used as a source painting for one in my Lessons from the Low Countries series. The anticipation of using this masterpiece was heightened because of the brilliant and varied pigment possibilities. After seeing this small … [Read more...] about Very Vermilion

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Recent Blogs

Dancing Backwards Returns; Going Medieval with Skeletons: More Stories of Mostly Forgotten Fabulously Talented Women Artists of the Past: Part 3 Coming in September

The Final Reveal

Dancing Backwards in High Heels to the Balalaika with Marianne Von Werefkin

More Lessons from Fred and Ginger Part ll with Sophie Fremiet Rude

Dancing Backwards Part ll with the Iconic Artemisia Gentileschi

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