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Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

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    • Backwards and in Heels, Part II
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Pigments: Historical and Modern

There is a distinct difference between modern day pigments and the natural pigments used prior to the middle of the 1700s. In the past, artists had apprentices who ground the colors for them throughout the oil painting sessions. Because they were made by hand, the pigments retained a natural grittiness and consistency with larger particle size. Today's oil paint manufacturers make synthetic colors in huge vats where the end result is exceptional smoothness. Prior to the middle of the 1700, natural pigments came from dirt, minerals, and even plants.

More Rembrandt Mysteries

May 31, 2013 by Margret Short

painting of The laughing man by Rembrandt

There is a mystery that has been baffling scholars for a long time. Why did Rembrandt apply gold leaf to the surface of a sheet of copper and paint in oil atop. Why would he cover a perfectly and already beautiful copper surface? Was it the smoothness? Was it an experiment? Nobody really knows for sure. What is known is that it is an intriguing … [Read more...] about More Rembrandt Mysteries

Tagged With: techniques of painting on gold leaf, Technorati Tags: gold leafing copper for fine art, why did Rembrandt paint on this substrate?

Twists and Turns

May 15, 2013 by Margret Short

unclose paint brush strokes detailing

This paint on metal project has had many ups and downs with unexpected twists and turns. Mostly, it has been a big experiment with interesting discoveries. My biggest discovery is understanding what I like the look of and what I don't. What has become crystal clear to me is the look of the metal glowing through the paint is really beautiful, … [Read more...] about Twists and Turns

Tagged With: chromium oxide green, copper, mineral paints, oil paint, paint, raw umber

Garlicky Experiments/Trials and Errors

April 23, 2013 by Margret Short

paint like garlic

At this point, there are a couple of ways to proceed. If your intent is to use the smooth surface much like a prepared panel, then you can gesso it. Or if you want the natural beauty of the copper to glow through then you don't want an opaque priming. In much of the literature, old school techniques describe a fascinating etching method using … [Read more...] about Garlicky Experiments/Trials and Errors

Tagged With: how to make Canadian balsam and sun thickened oil medium that resembles Strasbourg medium, How to paint on copper. preparing copper for oil painting, Robert Massey recipes, Strasbourg recipe

Pieces of Paint

April 23, 2013 by Margret Short

close up detailing of oil painting of pumpkin texture

As I have mentioned, the resulting beauty of the copper shimmering through the paint and brushstrokes is my goal here. Initially, I was wont to cover much of the surface but after many experiments, I began to achieve more of the look I could see in my mind's eye. Because the format is a small modello, 6x6 inches, it is easier to 'play' with the … [Read more...] about Pieces of Paint

Tagged With: Amazonite, earth colors, How to paint on copper, mineral colors, oil paint, shimmering surface of metal, yellow ochre

Copper on the Easel

April 10, 2013 by Margret Short

copper as canvas poster

Several years ago, I did a series of paintings on sheets of copper of various sizes, which was enormously fun. Here are two from that series.     Well, now here it is 2013, and it's time for another challenge with a new pigment series. This new project poking at my mad scientist self is more expansive though, and will be … [Read more...] about Copper on the Easel

Tagged With: copper, earth pigments, gold leaf, leaf, mineral pigments, oil painting, painting on copper, pigments, silver

Spider Woman’s Wedding

December 4, 2012 by Margret Short

still life painting of artifacts and treasures on tabletop

Spider Woman's Wedding By Margret E. Short, OPA, AWAM © 2012, 23x27  Oil on Linen Lessons from the Spider Woman  A pigment project by Margret E. Short December 6 through 31   … [Read more...] about Spider Woman’s Wedding

Tagged With: AWA, Exhibit, Native American, oil painting, Oregon, pigment project, pigments, Portland, Southwest Native American

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Recent Blogs

Dancing Backwards Part ll with the Iconic Artemisia Gentileschi

Dancing Backwards in High Heels Part ll, More Lessons with Fred and Ginger and Judith Leyster in Haarlem

Dancing Backwards with Elisabeth Vigee LeBrun: Painter to the Stars and Royalty

Dancing Backwards in High Heels Part Two in Portugal with Josefa de Obidos

Dancing Backwards in High Heels Part Two; Cliff Notes Version of Color Sleuthing

[More Blog Posts]

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