Lapis lazuli has long been one of my favorite specialty blue colors for previous pigment projects and a perfect choice for the current Spring Unveiling at Bronze Coast Gallery. Artisans around the world have used this mineral for jewelry, inlays, furniture decorations, paint, tombs, and temples in endless varieties. Seventeenth Century Dutch … [Read more...] about Ultimate ‘Over the Sea’ Ultra-marine Blue
Pigments: Historical and Modern
There is a distinct difference between modern day pigments and the natural pigments used prior to the middle of the 1700s. In the past, artists had apprentices who ground the colors for them throughout the oil painting sessions. Because they were made by hand, the pigments retained a natural grittiness and consistency with larger particle size. Today's oil paint manufacturers make synthetic colors in huge vats where the end result is exceptional smoothness. Prior to the middle of the 1700, natural pigments came from dirt, minerals, and even plants.
A Gem of a Color
As, promised, the first ludicrously small sneak peek in the blue pigment project is revealed. Sleeping Beauty Turquoise Blue! This pigment has a compelling history and is known for its clear blue beauty. A fabled mountainous vision of a cross-armed sleeping woman identifies the area near Globe, Arizona where the mines are located. Good and … [Read more...] about A Gem of a Color
Lessons from the Unfathomable Colors of the Oceans
Back in 1994, when I was just barely sure of what I wanted to be as an artist, I found an intriguing semi-official survey taken by two serious-minded artists named Alex Melamid and Vitaly Komar, both Russian emigres. Along with other art preferences, they set out to find which color is most overall favored adored and desired by ordinary … [Read more...] about Lessons from the Unfathomable Colors of the Oceans
Using Violet and Purple Pigments in Oils: Challenges and Solutions
Painting objects using violet and purple shades is always a challenge because it is easy to land on the garish side of this hue. We have all seen a house painted this color and we say "Whoa! That's intense!" Another example is painted flowers and fabrics that make your eyes water. So how to avoid this error in the use of purple/violet … [Read more...] about Using Violet and Purple Pigments in Oils: Challenges and Solutions
One Stitch at a Time
Making stitches and threads with paint has become a daily endeavor. The newest Iso-LACE-tion piece is finished and on the drying rack. In my studio, finished paintings go on a shelf to dry by means of low heat from a tungsten light bulb which accelerates the drying time. Although when you think about it, there is really no hurry these days. … [Read more...] about One Stitch at a Time
Lapis Lazuli Pigment Discovery: You’ll Never Guess Where
Last week I read a story about - no kidding - the 850 year old skeleton of a woman whose teeth were recently examined alongside other specimens in the same cemetery in Germany. According to the story in the journal Science Advances, scientists like to poke around in very old dental skeletal calculus to find evidence of food, bacteria, and … [Read more...] about Lapis Lazuli Pigment Discovery: You’ll Never Guess Where