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Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

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    • Backwards and in Heels, Part II
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Pigments: Historical and Modern

There is a distinct difference between modern day pigments and the natural pigments used prior to the middle of the 1700s. In the past, artists had apprentices who ground the colors for them throughout the oil painting sessions. Because they were made by hand, the pigments retained a natural grittiness and consistency with larger particle size. Today's oil paint manufacturers make synthetic colors in huge vats where the end result is exceptional smoothness. Prior to the middle of the 1700, natural pigments came from dirt, minerals, and even plants.

Sea Snail Masterpiece

December 7, 2006 by Margret Short

Since embarking on this project, I have researched many publications with specific information about pigments and their history. Much is known today about pigments of the past because of scholars such as those in the Rembrandt Research Project (RRP). This committee set about to discover and determine which of Rembrandt's paintings were authentic … [Read more...] about Sea Snail Masterpiece

Tagged With: Art in the Making, Dutch masters, insect pigments, mineral and organic pigments, pigments, Rembrandt Research Project

Dutch History

November 27, 2006 by Margret Short

Many people have asked me about The Golden Age in 17th Century Netherlands. How did it happen? What is the history? In order to truly understand why artists and other craftsmen flourished during this period, it is important to view the previous one hundred years. The prosperous Northern provinces of 17th Century Netherlands became Protestant … [Read more...] about Dutch History

Blue Lazuli

November 20, 2006 by Margret Short

Who would have known this Dutch project would be so much work! You can just imagine, prior to the invention of the paint tube, the amount of preparation that was involved before even putting one stroke of paint on the canvas each day. Before tin tubes were manufactured in the 19th century artists ground the paint every day or two and put the … [Read more...] about Blue Lazuli

Tagged With: Dutch project, historical pigments

The Daily Grind

November 18, 2006 by Margret Short

All the supplies necessary for the paint making project have been gathered on the workroom counter. Hotplate, double boiler, linseed oil, and beeswax beads. I have decided to use wax in some paint and not in others. If a "long" almost runny paint is desired, the use of wax is limited. To get a "short" buttery paint then more wax should be used. To … [Read more...] about The Daily Grind

Tagged With: beeswax, lapis lazuli, linseed oil, muller, oil paint making

Kremer Pigments

October 14, 2006 by Margret Short

… [Read more...] about Kremer Pigments

Zecchi’s Pigments

October 14, 2006 by Margret Short

… [Read more...] about Zecchi’s Pigments

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Recent Blogs

More Lessons from Fred and Ginger Part ll with Sophie Fremiet Rude

Dancing Backwards Part ll with the Iconic Artemisia Gentileschi

Dancing Backwards in High Heels Part ll, More Lessons with Fred and Ginger and Judith Leyster in Haarlem

Dancing Backwards with Elisabeth Vigee LeBrun: Painter to the Stars and Royalty

Dancing Backwards in High Heels Part Two in Portugal with Josefa de Obidos

[More Blog Posts]

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