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Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

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Pigments: Historical and Modern

There is a distinct difference between modern day pigments and the natural pigments used prior to the middle of the 1700s. In the past, artists had apprentices who ground the colors for them throughout the oil painting sessions. Because they were made by hand, the pigments retained a natural grittiness and consistency with larger particle size. Today's oil paint manufacturers make synthetic colors in huge vats where the end result is exceptional smoothness. Prior to the middle of the 1700, natural pigments came from dirt, minerals, and even plants.

One Stitch at a Time

April 17, 2020 by Margret Short

Detail of the textures of oil paint in a still life painting of fruit on top of a lace tablecloth

Making stitches and threads with paint has become a daily endeavor. The newest Iso-LACE-tion piece is finished and on the drying rack. In my studio, finished paintings go on a shelf to dry by means of low heat from a tungsten light bulb which accelerates the drying time. Although when you think about it, there is really no hurry these days. … [Read more...] about One Stitch at a Time

Lapis Lazuli Pigment Discovery: You’ll Never Guess Where

January 25, 2019 by Margret Short

Lapis in the blue paint used to paint a blue satin ribbon in a painting inspired by dutch style

Last week I read a story about - no kidding - the 850 year old skeleton of a woman whose teeth were recently examined alongside other specimens in the same cemetery in Germany. According to the story in the journal Science Advances, scientists like to poke around in very old dental skeletal calculus to find evidence of food, bacteria, and … [Read more...] about Lapis Lazuli Pigment Discovery: You’ll Never Guess Where

Harvest Moon Gladiolas – Thanks to Neil Young

August 17, 2018 by Margret Short

fine art still life painting featuring a large floral tablecloth draped over a tabletop with a vase and big bouquet of white flowers on top entitled Harvest Moon Gladiolas by Margret Short

Recently, I stumbled upon a luscious piece of floral fabric that I just could not resist purchasing. I knew it would be a terrific prop for a painting one day. Sometimes it is very worthwhile to ramble aimlessly through a market just to see what captures your eye. When I saw the pattern on this cloth, I instantly knew it was something very special … [Read more...] about Harvest Moon Gladiolas – Thanks to Neil Young

Tagged With: burnt sienna, burnt umber, cinnabar, Margret E. Short

Earth’s Pigments & Beauty: Sometimes a Dangerous Combination

November 17, 2017 by Margret Short

Lettice Knollys, Countess of Essex and Countess of Leicester

While at a recent First Thursday in Portland, I talked at length with Kay McGraw, wife of one of the gallery owners. She brought up a topic I hadn't thought of since writing about it in my post All for Beauty in 2006: historical pigments used in women's makeup throughout the ages. The Innocuous Colors Now mind you, some colors are perfectly … [Read more...] about Earth’s Pigments & Beauty: Sometimes a Dangerous Combination

Camouflaged – The Final Unveiling

May 12, 2017 by Margret Short

Camouflage Modello 6x8 Oil on Linen painting by Margret E. Short 2017

Camouflage Pigments Like You've Never Seen Before As promised, the final piece in the Indigenous Naturals Pigment Project, is revealed: Camouflage Modello, Oil on Linen 6x8. The previously-mentioned twist is disclosed and oh my - is it an interesting twist! Never in my wildest dreams did I ever think that researching historical pigments would have … [Read more...] about Camouflaged – The Final Unveiling

Learning from a Master Oil Painter: Johannes Vermeer

January 27, 2017 by Margret Short

Painting by Marget Short of Vermeer's Girl with the Pearl Earring

As you know, faithful readers, painting copies of masterworks has long been a favorite learning technique for me. Over the past 40 plus years, I have painted many including Rembrandt's The Polish Rider and Vermeer's Girl in the Red Hat both of which hang in my foyer. I have painted a number of other Rembrandts, a Franz Hals, and so many others I … [Read more...] about Learning from a Master Oil Painter: Johannes Vermeer

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Recent Blogs

Dancing Backwards Part ll with the Iconic Artemisia Gentileschi

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Dancing Backwards in High Heels Part Two in Portugal with Josefa de Obidos

Dancing Backwards in High Heels Part Two; Cliff Notes Version of Color Sleuthing

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