Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

Pigments: Historical and Modern

There is a distinct difference between modern day pigments and the natural pigments used prior to the middle of the 1700s. In the past, artists had apprentices who ground the colors for them throughout the oil painting sessions. Because they were made by hand, the pigments retained a natural grittiness and consistency with larger particle size. Today's oil paint manufacturers make synthetic colors in huge vats where the end result is exceptional smoothness. Prior to the middle of the 1700, natural pigments came from dirt, minerals, and even plants.

Stack White Process – Part ll

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You might ask why the term “flake” is applied to describe authentic Dutch flake lead white. The answer comes from the appearance of the material as it actually flakes off the metallic lead strips during the formation process. Modern lead white pigment found commonly in art supply stores is not a true flake white made in the process called Dutch … [Read more...] about Stack White Process – Part ll

Creme d la creme of White Pigments – Part l

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  Those of you who have followed this blog know of my passion for historical pigments that have quirky legends attached to them, the quirkier the better.  Indeed, there are some mighty bizarre tales related to the making of colors, painting techniques, and stories of strange artists themselves. Well, stack lead white is a color that is … [Read more...] about Creme d la creme of White Pigments – Part l

A Basilisk and a Rooster Walked into a Bar

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Many of the quirkiest stories I have told have been right here in this blog during my Lessons from the Low Countries series.  Remember the one about the red haired man and the basilisk? If you recall, a basilisk is the legendary reptile, hatched by a serpent (or toad, depending on the source) from a rooster’s egg, and is so revolting, if it gazes … [Read more...] about A Basilisk and a Rooster Walked into a Bar

More Rembrandt Mysteries

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There is a mystery that has been baffling scholars for a long time. Why did Rembrandt apply gold leaf to the surface of a sheet of copper and paint in oil atop. Why would he cover a perfectly and already beautiful copper surface? Was it the smoothness? Was it an experiment? Nobody really knows for sure. What is known is that it is an intriguing … [Read more...] about More Rembrandt Mysteries

Twists and Turns

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This paint on metal project has had many ups and downs with unexpected twists and turns. Mostly, it has been a big experiment with interesting discoveries. My biggest discovery is understanding what I like the look of and what I don't. What has become crystal clear to me is the look of the metal glowing through the paint is really beautiful, … [Read more...] about Twists and Turns