Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

Glue Sizing

Glue Sizing

by

The next step after stretching the linen over the bars is to prepare the glue sizing. Rabbit skin glue comes in a crystal form and looks somewhat like cream of wheat. This is truly one of the historic materials and techniques and has been used for centuries. The crystals are soaked overnight in water and then heated in a double boiler where the … [Read more...] about Glue Sizing

Preparing the Supports

by

There are several supports which can be used for painting with oil. Canvas, wood panel, copper are some. For this project I will use only linen canvas and panels made of birch. Here I am stretching raw, unprimed linen over sturdy stretcher bars. Making sure there is enough to pull around the bar, I staple the back side securely, but not too … [Read more...] about Preparing the Supports

Studio Abandonment

by

Several weeks have passed since grinding enough colors to get a good start on this project. And, in spite of the holidays, I am now on painting #3. Painting #1 is based on a portrait by Franz Hals which is of interest because of the wonderful lace collar on the gentleman. It is a very mono-chromatic painting with bravura brush strokes, showing … [Read more...] about Studio Abandonment

Color Junkie

by

The past several weeks I have been busy with color making. Pictured here is genuine  Vermilion, a color I could never do without. Because you know my style of painting, you know I favor the warm tones especially reds. This particular pigment has been used since antiquity and is made from natural cinnabar. It has been found in ancient China, … [Read more...] about Color Junkie

Recap Recap

by

For all of you who are drop in or first time readers of this blog, I would like to recap the nature of my “Lessons from the Low Countries” Project. Alyson actually suggested I do this. She is my career coach and has been instrumental in guiding me through the steps of posting cohesive ideas. The project is actually all summarized in the first … [Read more...] about Recap Recap

Modern Versus Historic

by

In my research of historic pigments thus far, I have come to this conclusion. The main difference between the modern day pigments and those of the 17th century is particle size. Modern paint makers use technology which enables them to grind paints to a uniform smooth consistency. The grinding techniques or the synthetic process by which paints are … [Read more...] about Modern Versus Historic