Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

historical pigments

Stack White Process – Part lll

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In the next step of the lead white making process, specially made earthenware pots were arranged and then filled about one-third with vinegar. You will notice a variety of pot colors which indicate varying amounts of lead inserted into certain pots which were processed differently.  The rolled lead coils were then placed into the pots. Some pots … [Read more...] about Stack White Process – Part lll

Stack White Process – Part ll

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You might ask why the term “flake” is applied to describe authentic Dutch flake lead white. The answer comes from the appearance of the material as it actually flakes off the metallic lead strips during the formation process. Modern lead white pigment found commonly in art supply stores is not a true flake white made in the process called Dutch … [Read more...] about Stack White Process – Part ll

Creme d la creme of White Pigments – Part l

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  Those of you who have followed this blog know of my passion for historical pigments that have quirky legends attached to them, the quirkier the better.  Indeed, there are some mighty bizarre tales related to the making of colors, painting techniques, and stories of strange artists themselves. Well, stack lead white is a color that is … [Read more...] about Creme d la creme of White Pigments – Part l

A Basilisk and a Rooster Walked into a Bar

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Many of the quirkiest stories I have told have been right here in this blog during my Lessons from the Low Countries series.  Remember the one about the red haired man and the basilisk? If you recall, a basilisk is the legendary reptile, hatched by a serpent (or toad, depending on the source) from a rooster’s egg, and is so revolting, if it gazes … [Read more...] about A Basilisk and a Rooster Walked into a Bar

Girl in the Red Hat

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Throughout the 40 or so years that I have been painting, copying master works has held a certain fascination. It is a great way to practice and learn techniques from the very best. I copied Vermeer’s Girl in the Red Hat a number of years ago and gave it to Dave for his birthday. It was very unfair to actually buy the real one in the National … [Read more...] about Girl in the Red Hat