Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

Pigments: Historical and Modern

There is a distinct difference between modern day pigments and the natural pigments used prior to the middle of the 1700s. In the past, artists had apprentices who ground the colors for them throughout the oil painting sessions. Because they were made by hand, the pigments retained a natural grittiness and consistency with larger particle size. Today's oil paint manufacturers make synthetic colors in huge vats where the end result is exceptional smoothness. Prior to the middle of the 1700, natural pigments came from dirt, minerals, and even plants.

Festival of Panathenaea

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Well, here is the great unveiling. For the past many months, this 30x30 stretch of canvas has been my labor of love.  After much research into topics for use as a theme, the Festival of Panathenaea became an easy choice because the possibilities for subject matter were so colorful, plentiful, and titillating.   As mentioned before,  … [Read more...] about Festival of Panathenaea

Lekythos

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My Greek painting is nearly finished and will be revealed in about a week or so. I want my client to see only snippets beforehand, so just details like this one will be shown for now. Hours and hours of research went into all aspects of the composition in addition to pigments. This lekythos  jar was popular during the classical period of 5th … [Read more...] about Lekythos

Knucklebones

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 In ancient Greece, a popular game played by adults and children alike was called astragali or knucklebones. The dried ankle bones of sheep were perfect for this because they have four sides - one flat, one concave, one convex, and one with a sinuous side. A value was placed on each of the differing sides. Two or more players toss the bones in the … [Read more...] about Knucklebones

Uber Umber

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There are several colors I could not do without on my palette. This is a splendid very dark burnt umber from Cypress. It is very dark almost black with a warm undertone and is easy to make. There are many versions of this pigment, but this dark one is my favorite. One terrific and useful characteristic of this pigment is the drying quality; … [Read more...] about Uber Umber

Challenges

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Many attempts and many methods were tried and aborted before this beautiful surface was achieved on my painting, shown above. Initially, I used a wet on wet technique by applying a mixture of yellow ochre, red iron oxide, and white to replicate the actual color of the clay on the Greek vessel. Then, atop the wet surface I applied a mixture of black … [Read more...] about Challenges