• Skip to primary navigation
  • Skip to main content
  • Skip to footer
Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

  • Home
  • About
    • Margret E Short Bio
    • Resumé
    • Artist’s Statement
    • Artist Resources
    • The Lessons Series
    • Oregon Honor
  • Commission
  • Prints
  • Events
  • Galleries
  • Projects
    • Backwards and in Heels, Part II
    • Backwards and In Heels, Part 1
    • Quintessential Blue
    • Iso-LACE-tion: A Thirty Day Painting Project
    • Indigenous Naturals Project
    • Lessons from the Spider Woman
    • Girl Jazz Singers
    • Lessons from the Pharaoh’s Tomb, Part 1
    • Lessons from the Pharaoh’s Tomb, Part 2
    • Lessons from the Low Countries
    • Greek Pigment Project
  • Contact
  • Blog

Pigments: Historical and Modern

There is a distinct difference between modern day pigments and the natural pigments used prior to the middle of the 1700s. In the past, artists had apprentices who ground the colors for them throughout the oil painting sessions. Because they were made by hand, the pigments retained a natural grittiness and consistency with larger particle size. Today's oil paint manufacturers make synthetic colors in huge vats where the end result is exceptional smoothness. Prior to the middle of the 1700, natural pigments came from dirt, minerals, and even plants.

Maria Martinez Pottery

July 21, 2012 by Margret Short

Painting #2 in the Lessons from the Spider Woman project is finished. This detail of the finished piece shows a snippet of the completed composition which includes more of Spider Woman's veil, a basket, pot, fetish, and chili peppers. It has been interesting composing with a Southwest Desert theme, especially because this topic is so foreign … [Read more...] about Maria Martinez Pottery

Tagged With: Maria Martinez, Southwest Native American

Meeting of the Minds

July 15, 2012 by Margret Short

photograph of Margret short

On July 9th on Artists Mentors Online, I listened to the captivating discussion with Michael Harding and Tony Pro. Mr. Harding talked about the making of his line of paints and how he became interested in this topic. There were intelligent questions asked by artists via email and telephone. As you know, one of my favorite pigments is natural … [Read more...] about Meeting of the Minds

Tagged With: cinnabar, genuine vermilion, hand-ground oil paints, historical pigments, Karyn Harding, Michael Harding, Michael Harding paints, Muse Art and Design, oil paints, Peter Rossing, vermilion

Red Hot Chilis

July 15, 2012 by Margret Short

detail of oil painting of red papers on lace tablecloth

The chili peppers on painting #2 for the Lessons from the Spider Woman series is painted with natural cinnabar and some madder, heightened at the very end with flake white on the highlights. The stems are a simple mixture of yellow ochre and black, which makes a dazzling array of greens. Right at the finish, heighten with a little white on the … [Read more...] about Red Hot Chilis

Tagged With: chilis, cinnabar pigment, Native American pigments, natural pigment, oil painting, old master palette, Spider Woman

Spider Woman’s Cross

June 14, 2012 by Margret Short

detail of painting with pink florals and turquoise stone necklace

The Spider Woman is one of the most important goddesses in the Southwest Native culture. She is multi-faceted and has amazing power over her people. There are geographic landmarks named for her as well as constellations, myths, and stories of all kinds. As I have said, she is the equal to Isis in Ancient Egypt and Athena in Greece. The row of … [Read more...] about Spider Woman’s Cross

Tagged With: Amazonite, artists, Athena, cinnabar, constellations, crosses, flake white, Isis, madder, Native Americans of the Southwest US, natural earth pigments, oil paintings, pigments, Spider Woman

Amazing Amazonite

June 10, 2012 by Margret Short

amazonite pure paint sample

One of the most exciting things about my Lessons projects is unearthing new pigments heretofore unknown. Amazonite is one that I discovered sometime back, and it's sold through the Daniel Smith company in Seattle. They do not sell it in the powder form, which I would have preferred, so I bought a tube of the oil shown here pure from the … [Read more...] about Amazing Amazonite

Tagged With: Amazonite, crystals, Daniel Smith, feldspar, Lead white, Native American cultures of the Southwest, oil paint, oil pigment, Rublev, turquoise

Spider Woman Meets Wedding Planner

May 12, 2012 by Margret Short

detail of oil painting texture of lace

The first painting in this Southwest themed project, Lessons from the Spider Woman, is finished. The entire painting, actual title, and size will be revealed as time draws closer to the exhibit date. My artistic license is used lavishly here not only in the Spider Woman mythology but also in the imaginative depiction of the story. Spider Woman is … [Read more...] about Spider Woman Meets Wedding Planner

Tagged With: Hopi, Keresan, lace, Navajo, oil painting, painting, pigments, Southwest US, Spider Woman, weaving, wedding veil

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 10
  • Page 11
  • Page 12
  • Page 13
  • Page 14
  • Interim pages omitted …
  • Page 35
  • Go to Next Page »

Footer

Sign up for Margret’s Newsletter

Join Margret while she explores imagery and pigments used since 3500 BC!

Email Address:

Recent Blogs

Dancing Backwards Part ll with the Iconic Artemisia Gentileschi

Dancing Backwards in High Heels Part ll, More Lessons with Fred and Ginger and Judith Leyster in Haarlem

Dancing Backwards with Elisabeth Vigee LeBrun: Painter to the Stars and Royalty

Dancing Backwards in High Heels Part Two in Portugal with Josefa de Obidos

Dancing Backwards in High Heels Part Two; Cliff Notes Version of Color Sleuthing

[More Blog Posts]

  • Instagram
  • LinkedIn
  • Pinterest
  • RSS

Looking for Something Special?

© 2006 - © 2026 Margret E Short, all rights reserved