Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

Pigments: Historical and Modern

There is a distinct difference between modern day pigments and the natural pigments used prior to the middle of the 1700s. In the past, artists had apprentices who ground the colors for them throughout the oil painting sessions. Because they were made by hand, the pigments retained a natural grittiness and consistency with larger particle size. Today's oil paint manufacturers make synthetic colors in huge vats where the end result is exceptional smoothness. Prior to the middle of the 1700, natural pigments came from dirt, minerals, and even plants.

The Vizier’s Paints

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Paint Box of Vizier Amenemope   Egypt, New Kingdom, Dynasty 18 (1540-1296 BC), Reign of Amenhotep II, c. 1427-1401 BC. Boxwood with inscription inlaid in Egyptian blue, 3.6 x 2.2 x 21.0 cm. © The Cleveland Museum of Art Gift of the John Huntington Art and Polytechnic Trust 1914.680 Image Courtesy of Cleveland Museum of Art. This … [Read more...] about The Vizier’s Paints

When I Grow Up, I Want to Be an Art Forger

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Now I do not aspire to go underground or "non-legit" with my painting techniques, but art forgery is quite a fascinating topic. One of the best ploys Eric Hebborn suggests is to purchase an artistically worthless old painting, say, from an antique shop or art auction. Wood panel or canvas, each would be naturally aged and seasoned, ready to scrape, … [Read more...] about When I Grow Up, I Want to Be an Art Forger

Arsenic in the Stew

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Orpiment, shown above in its natural form and also pigment form, was widely used in Egypt during and after the 18th dynasty, about 1500 BC. During this period the very progressive and successful female pharaoh, Hatshepsut, was in power. It is thought that she initiated trade with other countries and the use of orpiment began because of her. Because … [Read more...] about Arsenic in the Stew

Oil Change

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As I said in the previous post, the Egyptian artists mixed pigment with egg or acacia sap which is also known a gum arabic.  Both are binders for a water based paint. Another binder for water based paint is acrylic or egg yolk or even sometimes the whole egg. Often egg is used as a binder in oil painting also. The equivalent to this in oil … [Read more...] about Oil Change

One Down, Many to Go

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This detail is from the first completed painting in the new Part ll project which shows both versions of malachite. Impasto paint was floated onto the surface of the jar in the focal areas. Across the table is a golden cloth which is used as a perfect foil for the bluish green of the jar setting it off nicely. According to Francois Delamare and … [Read more...] about One Down, Many to Go