Full Sail ©Margret E. Short, OPA, AWA 22x8 Oil on Linen Lessons from the Pharaoh's Tomb, Part Two Galerie Gabrie, Pasadena … [Read more...] about Full Sail
Pigments: Historical and Modern
There is a distinct difference between modern day pigments and the natural pigments used prior to the middle of the 1700s. In the past, artists had apprentices who ground the colors for them throughout the oil painting sessions. Because they were made by hand, the pigments retained a natural grittiness and consistency with larger particle size. Today's oil paint manufacturers make synthetic colors in huge vats where the end result is exceptional smoothness. Prior to the middle of the 1700, natural pigments came from dirt, minerals, and even plants.
Felucca Study #6
Felucca Study # 6 Oil on Gold Leaf, 7x5 ©Margret E. Short, OPA, AWA, Galerie Gabrie, Pasadena Lessons from the Pharaoh's Tomb, Part Two … [Read more...] about Felucca Study #6
Felucca Study #5
Felucca Study # 5 Oil on Silver Leaf, 7x5 ©Margret E. Short, OPA, AWA, Galerie Gabrie, Pasadena Lessons from the Pharaoh's Tomb, Part Two … [Read more...] about Felucca Study #5
Felucca Study #3
Felucca Study # 3 Oil on Gold Leaf, 7x5 ©Margret E. Short, OPA, AWA, Galerie Gabrie, Pasadena Lessons from the Pharaoh's Tomb, Part Two … [Read more...] about Felucca Study #3
Felucca Study #2
Felucca Study # 2 Oil on Silver Leaf, 7x5 ©Margret E. Short, OPA, AWA, Galerie Gabrie, Pasadena Lessons from the Pharaoh's Tomb, Part Two … [Read more...] about Felucca Study #2
Felucca
What do Winston Churchill, Mark Twain, King Farouk, and Dave and Margret Short all have in common? We all sailed down the Nile while visiting the magnificent antiquities of Egypt......in a felucca! This graceful sailing vessel is motor-less and relies on the Egyptian southerly winds to push it upstream. These winds build during the day and … [Read more...] about Felucca






