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Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

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    • Backwards and in Heels, Part II
    • Backwards and In Heels, Part 1
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    • Lessons from the Spider Woman
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    • Lessons from the Pharaoh’s Tomb, Part 2
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Pigments: Historical and Modern

There is a distinct difference between modern day pigments and the natural pigments used prior to the middle of the 1700s. In the past, artists had apprentices who ground the colors for them throughout the oil painting sessions. Because they were made by hand, the pigments retained a natural grittiness and consistency with larger particle size. Today's oil paint manufacturers make synthetic colors in huge vats where the end result is exceptional smoothness. Prior to the middle of the 1700, natural pigments came from dirt, minerals, and even plants.

Petrignano La Sera

December 6, 2008 by Margret Short

  Petrignano La Sera 15x17 Oil on Linen on Gold Leaf Margret E. Short, Copyright 2006  SOLD The above image is the finished piece done on the gold leafed linen canvas in November of 2006.   Penelope's Web Margret E. Short, Copyright 2008   SOLD This piece called, Penelope's Web, was also painted on … [Read more...] about Petrignano La Sera

Tagged With: gold leaf linen, gold leafed panel, Italy, Penelope's Web, Petrignano

All That Glitters is Gold Leaf

December 6, 2008 by Margret Short

A couple of weeks ago a regular reader commented she would like to have more information about the various supports on which oil painting can be done. Pictured here are supplies needed for painting on gold leaf which is a splendid ground to work on. Most common is gessoed wood panels for leafing, but I experimented with canvas with great success. A … [Read more...] about All That Glitters is Gold Leaf

Tagged With: gold leaf linen, Mixtion Gold Size, Monarch gold leaf, Natural Pigments, rabbit skin glue

Dragons and Elephants

November 20, 2008 by Margret Short

Without going too deeply into the scientific technicalities of cinnabar/vermilion properties, the differences between the two pigments are: cinnabar is created by the combination of mercury and sulfur through a natural process and found in mines in many locations, and vermilion is made by combining mercury and sulfur in very hot temperatures … [Read more...] about Dragons and Elephants

Tagged With: basilisk, cinnabar, Daniel Lohenstein, dragon, elephant, Pliny the Elder, Theophilus, vermilion

Comparisons

November 19, 2008 by Margret Short

     top left: flake white + vermilion Robert Doak  (tube) top right: cinnabar Monte Amiata Italy Sinopia + flake white (dry pigment with linseed) bottom left: flake white + vermilion Rublev  Natural Pigments (dry pigment with linseed) bottom right: cinnabar Rublev Natural Pigments + flake … [Read more...] about Comparisons

Tagged With: cinnabar, flake white, Monte Amiata Italy, Natural Pigments, Robert Doak, Sinopia, vermilion

Monks Seeing Red

November 19, 2008 by Margret Short

  Very early manuscripts document both the manufacture and use of vermilion. Some called this indispensable color the prince of reds which was more brilliant than the natural cinnabar. Theophilus (Roger of Helmarshausen)the Benedictine Monk, described the alchemical synthesis in his technical handbook De diversis artibus (On Divers Arts … [Read more...] about Monks Seeing Red

Tagged With: Bright Earth, cinnabar, mercury, pigments, sulfur, Theophilus, vermilion

Red Haired Men and Other Curiosities on Pigments

November 8, 2008 by Margret Short

A lively and strange excerpt from Bright Earth by Philip Ball,  gives us a recipe for Spanish Gold using pure magical thinking. From the writings of Theophilus: "There is also a gold named Spanish gold, which is compounded from red copper, basilisk powder, human blood, and vinegar. The heathen, whose skill in this art is … [Read more...] about Red Haired Men and Other Curiosities on Pigments

Tagged With: basilisk, myths, pigments, spanish gold, Spike Bucklow

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Recent Blogs

Dancing Backwards Part ll with the Iconic Artemisia Gentileschi

Dancing Backwards in High Heels Part ll, More Lessons with Fred and Ginger and Judith Leyster in Haarlem

Dancing Backwards with Elisabeth Vigee LeBrun: Painter to the Stars and Royalty

Dancing Backwards in High Heels Part Two in Portugal with Josefa de Obidos

Dancing Backwards in High Heels Part Two; Cliff Notes Version of Color Sleuthing

[More Blog Posts]

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