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Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

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    • Backwards and in Heels, Part II
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Margret's Still Life Oil Paintings

Formal still life oil paintings came into popularity in 17th century Dutch when people became more affluent. They were also withdrawing from the rigid constraints of the church and could paint subjects other than from the bible. Still life oil painting has remained a popular form of expression since that time.

The Discriminating Palette of Sexy Beets

February 22, 2022 by Margret Short

dutch style painting of grand bouquet of colorful flowers on table draped with fabrics by Margret short

While reading a very colorful article this morning, I thought about my painting, Dutch Treat, shown below. The article, entitled "Sensational Color, Sexy Beets", from Color Expert Kate Smith of Sensational Color describes the love/hate relationship people have with beets. Some find them totally unpalatable, including Former President Obama, who … [Read more...] about The Discriminating Palette of Sexy Beets

Tagged With: alizarin, beets, chocolate, colors, Duncan Hines, Dutch, food, Going Dutch, Margret Short, Mesopotamia, painting, pigments, recipes, Thebes, vegetables

Using Violet and Purple Pigments in Oils: Challenges and Solutions

May 22, 2020 by Margret Short

Classical Still life Oil Painting using an Old Master Technique of oil painting

Painting objects using violet and purple shades is always a challenge because it is easy to land on the garish side of this hue. We have all seen a house painted this color and we say "Whoa! That's intense!" Another example is painted flowers and fabrics that make your eyes water. So how to avoid this error in the use of purple/violet … [Read more...] about Using Violet and Purple Pigments in Oils: Challenges and Solutions

Tagged With: historical pigments, Margret E. Short, oil painting, Pigment, Tyrian Purple pigment

Trompe l’oeil Painting and Loma Linda

April 30, 2020 by Margret Short

Detail of textures of oil paint from a painting by Margret Short

Photos sent by my daughter from Loma Linda, CA became the subject of the latest 6x8 inch Iso-LACE-tion modello this week. Holly and her husband are there for a couple of months, and they were delighted to find fruit trees in the yard where they are staying. I coaxed her to send pictures. It took several tries to get the composition and lighting … [Read more...] about Trompe l’oeil Painting and Loma Linda

Painting in the Time of Covid-19

April 4, 2020 by Margret Short

Classical Still life Oil Painting in Chiaroscuro style featuring a lace tablecloth with oranges

Like most of you, strategizing meaningful chores to fill time at home is a daunting task lately. Up until now, I’ve been clearing clutter, tossing dried-up paint tubes, cleaning closets, washing brushes, washing my hands, and oh the horrors - watching re-runs of Bob Ross’ Happy Paintings on PBS. Idle Hands and Demons Much more appealing is … [Read more...] about Painting in the Time of Covid-19

Harvest Moon Gladiolas – Thanks to Neil Young

August 17, 2018 by Margret Short

fine art still life painting featuring a large floral tablecloth draped over a tabletop with a vase and big bouquet of white flowers on top entitled Harvest Moon Gladiolas by Margret Short

Recently, I stumbled upon a luscious piece of floral fabric that I just could not resist purchasing. I knew it would be a terrific prop for a painting one day. Sometimes it is very worthwhile to ramble aimlessly through a market just to see what captures your eye. When I saw the pattern on this cloth, I instantly knew it was something very special … [Read more...] about Harvest Moon Gladiolas – Thanks to Neil Young

Tagged With: burnt sienna, burnt umber, cinnabar, Margret E. Short

Repoussoir: An Odd Name for a Powerful Compositional Effect

July 28, 2017 by Margret Short

Day of the Dahlia

Ever wonder about the tricks the masters used to compose their paintings? Of course, there are many tricks such as color intensity, perspective, size, placement, and so forth, but one that most people don't know about is repoussoir. This centuries-old method creates drama and engages the viewer. Many of the masters such as Chardin, Vermeer, … [Read more...] about Repoussoir: An Odd Name for a Powerful Compositional Effect

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Recent Blogs

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