• Skip to primary navigation
  • Skip to main content
  • Skip to footer
Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

  • Home
  • About
    • Margret E Short Bio
    • Resumé
    • Artist’s Statement
    • Artist Resources
    • The Lessons Series
    • Oregon Honor
  • Commission
  • Prints
  • Events
  • Galleries
  • Projects
    • Backwards and in Heels, Part II
    • Backwards and In Heels, Part 1
    • Quintessential Blue
    • Iso-LACE-tion: A Thirty Day Painting Project
    • Indigenous Naturals Project
    • Lessons from the Spider Woman
    • Girl Jazz Singers
    • Lessons from the Pharaoh’s Tomb, Part 1
    • Lessons from the Pharaoh’s Tomb, Part 2
    • Lessons from the Low Countries
    • Greek Pigment Project
  • Contact
  • Blog

Margret's Still Life Oil Paintings

Formal still life oil paintings came into popularity in 17th century Dutch when people became more affluent. They were also withdrawing from the rigid constraints of the church and could paint subjects other than from the bible. Still life oil painting has remained a popular form of expression since that time.

Harvest Moon Gladiolas – Thanks to Neil Young

August 17, 2018 by Margret Short

fine art still life painting featuring a large floral tablecloth draped over a tabletop with a vase and big bouquet of white flowers on top entitled Harvest Moon Gladiolas by Margret Short

Recently, I stumbled upon a luscious piece of floral fabric that I just could not resist purchasing. I knew it would be a terrific prop for a painting one day. Sometimes it is very worthwhile to ramble aimlessly through a market just to see what captures your eye. When I saw the pattern on this cloth, I instantly knew it was something very special … [Read more...] about Harvest Moon Gladiolas – Thanks to Neil Young

Tagged With: burnt sienna, burnt umber, cinnabar, Margret E. Short

Repoussoir: An Odd Name for a Powerful Compositional Effect

July 28, 2017 by Margret Short

Day of the Dahlia

Ever wonder about the tricks the masters used to compose their paintings? Of course, there are many tricks such as color intensity, perspective, size, placement, and so forth, but one that most people don't know about is repoussoir. This centuries-old method creates drama and engages the viewer. Many of the masters such as Chardin, Vermeer, … [Read more...] about Repoussoir: An Odd Name for a Powerful Compositional Effect

Camouflaged – The Final Unveiling

May 12, 2017 by Margret Short

Camouflage Modello 6x8 Oil on Linen painting by Margret E. Short 2017

Camouflage Pigments Like You've Never Seen Before As promised, the final piece in the Indigenous Naturals Pigment Project, is revealed: Camouflage Modello, Oil on Linen 6x8. The previously-mentioned twist is disclosed and oh my - is it an interesting twist! Never in my wildest dreams did I ever think that researching historical pigments would have … [Read more...] about Camouflaged – The Final Unveiling

Indigenous Naturals: Earth and Mineral Pigments Found in Oregon and Pacific NW

May 6, 2017 by Margret Short

fine art still life painting of a scene with apples bunches of grapes sitting on a tabletop draped with white and red striped cloth against an elegant backdrop of a mural of a bird on a tree branch entitled Bright Oregon

Pigment Project Unveiling - Five New Paintings One of the most exciting aspects of doing an historical pigment project is the unexpected discovery and this one is has been over the top fun! Initially, my plan was to investigate the location and type of pigments found in deposits and mines around Oregon. Right away, I hit a mother lode of … [Read more...] about Indigenous Naturals: Earth and Mineral Pigments Found in Oregon and Pacific NW

Use Light To Create Compelling Shadow Shapes

September 2, 2016 by Margret Short

Vase and Tangerines by Marget Short - use light thoughtfully in your oil painting composition

Compelling and interesting shadow shapes are one very critical component to creating excitement in your oil painting compositions. Light, light direction, light diminishing and building, and light falling on objects can be used to the fullest and will portray drama and mystery depending on how you use it in each particular place on your … [Read more...] about Use Light To Create Compelling Shadow Shapes

Fine-Tune Brushstrokes & Light in Oil Paintings

July 25, 2016 by Margret Short

Finished still life oil painting by Margret Short a fine art painter in the Pacific Northwest

Sometimes painting small and very intimate compositions is the most gratifying. This 8x10 inch piece is very simple, but the shadow shapes are compelling and dramatic. If you have interesting light, the painting is much more fun, and lights and darks flow across the canvas in a manner that captures the viewer and holds them in. I try to … [Read more...] about Fine-Tune Brushstrokes & Light in Oil Paintings

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 4
  • Page 5
  • Page 6
  • Page 7
  • Page 8
  • Interim pages omitted …
  • Page 24
  • Go to Next Page »

Footer

Sign up for Margret’s Newsletter

Join Margret while she explores imagery and pigments used since 3500 BC!

Email Address:

Recent Blogs

Dancing Backwards Part ll with the Iconic Artemisia Gentileschi

Dancing Backwards in High Heels Part ll, More Lessons with Fred and Ginger and Judith Leyster in Haarlem

Dancing Backwards with Elisabeth Vigee LeBrun: Painter to the Stars and Royalty

Dancing Backwards in High Heels Part Two in Portugal with Josefa de Obidos

Dancing Backwards in High Heels Part Two; Cliff Notes Version of Color Sleuthing

[More Blog Posts]

  • Instagram
  • LinkedIn
  • Pinterest
  • RSS

Looking for Something Special?

© 2006 - © 2026 Margret E Short, all rights reserved