• Skip to primary navigation
  • Skip to main content
  • Skip to footer
Margret E. Short Fine Arts

Margret E. Short Fine Arts

Portland, Oregon artist Margret Short - a modern day master of 17th Century Dutch art using the chiaroscuro technique to create still life and floral paintings.

  • Home
  • About
    • Margret E Short Bio
    • Resumé
    • Artist’s Statement
    • Artist Resources
    • The Lessons Series
    • Oregon Honor
  • Commission
  • Prints
  • Events
  • Galleries
  • Projects
    • Backwards and in Heels, Part III
    • Backwards and in Heels, Part II
    • Backwards and In Heels, Part 1
    • Quintessential Blue
    • Iso-LACE-tion: A Thirty Day Painting Project
    • Indigenous Naturals Project
    • Lessons from the Spider Woman
    • Girl Jazz Singers
    • Lessons from the Pharaoh’s Tomb, Part 1
    • Lessons from the Pharaoh’s Tomb, Part 2
    • Lessons from the Low Countries
    • Greek Pigment Project
  • Contact
  • Blog

Pigments: Historical and Modern

There is a distinct difference between modern day pigments and the natural pigments used prior to the middle of the 1700s. In the past, artists had apprentices who ground the colors for them throughout the oil painting sessions. Because they were made by hand, the pigments retained a natural grittiness and consistency with larger particle size. Today's oil paint manufacturers make synthetic colors in huge vats where the end result is exceptional smoothness. Prior to the middle of the 1700, natural pigments came from dirt, minerals, and even plants.

The Daily Grind

November 18, 2006 by Margret Short

All the supplies necessary for the paint making project have been gathered on the workroom counter. Hotplate, double boiler, linseed oil, and beeswax beads. I have decided to use wax in some paint and not in others. If a "long" almost runny paint is desired, the use of wax is limited. To get a "short" buttery paint then more wax should be used. To … [Read more...] about The Daily Grind

Tagged With: beeswax, lapis lazuli, linseed oil, muller, oil paint making

Kremer Pigments

October 14, 2006 by Margret Short

… [Read more...] about Kremer Pigments

Zecchi’s Pigments

October 14, 2006 by Margret Short

… [Read more...] about Zecchi’s Pigments

Perplexing Pigments

October 12, 2006 by Margret Short

Well, my mind has been spinning with thoughts of pigments and the process of grinding paints. Many many times over the years I have made paints but never on this broad scale using solely pigments from a certain period, like this one, the 17th  Century. After speaking with the Conservation Department at the National Gallery last week, I know great … [Read more...] about Perplexing Pigments

Dutch Treats

September 29, 2006 by Margret Short

Well, the catalogue for the Dutch Exhibit arrived from Dayton yesterday, and it is splendid! There are in total 90 works of art of which only a dozen or so are not paintings. In 1992 I visited the Rijksmuseum, but I must say many pieces shown here are unfamiliar. Too many years have passed since viewing them. There will be many choices for … [Read more...] about Dutch Treats

Grisaille Magic

September 19, 2006 by Margret Short

This project is taking on a life of its own. Good progress today! After a visit to Lawrence Gallery, they have enthusiastically agreed to show my body of work as an exhibit next May along with the opening of the Dutch Exhibit at the Portland Museum. Also, I have worked out the logistics of the demo in Dayton. To expedite matters I remembered a … [Read more...] about Grisaille Magic

Tagged With: chiaroscuro, Dutch exhibit, grisaille, pigment project, Portland Art Museum, Rembrandt, The Artist, The Artist

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 34
  • Page 35
  • Page 36
  • Page 37
  • Go to Next Page »

Footer

Sign up for Margret’s Newsletter

Join Margret while she explores imagery and pigments used since 3500 BC!

Email Address:

Recent Blogs

Dancing Backwards with Phoebe Moss Traquair: How to Meet Your Spouse

Dancing Backwards at Miss Cranston’s Teahouse

Anna Waser: A Swiss Prodigy Becomes a Master

Uber Umbers and Other Colors from the Earth

Dancing Backwards, Part 3: A Remarkable Life of Adventure and Art

[More Blog Posts]

  • Instagram
  • LinkedIn
  • Pinterest
  • RSS

Looking for Something Special?

© 2006 - © 2026 Margret E Short, all rights reserved